http://git-wip-us.apache.org/repos/asf/opennlp-sandbox/blob/1f97041b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/96TediJordanC_ShockStats_EN.txt.txt ---------------------------------------------------------------------- diff --git a/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/96TediJordanC_ShockStats_EN.txt.txt b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/96TediJordanC_ShockStats_EN.txt.txt new file mode 100644 index 0000000..38ab77c --- /dev/null +++ b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/96TediJordanC_ShockStats_EN.txt.txt @@ -0,0 +1,2 @@ + + My work is about the behaviors that we all engage in unconsciously , on a collective level . And what I mean by that , it 's the behaviors that we 're in denial about , and the ones that operate below the surface of our daily awareness . And as individuals , we all do these things , all the time , everyday . It 's like when you 're mean to your wife because you 're mad at somebody else . Or when you drink a little too much at a party just out of anxiety . Or when you overeat because your feelings are hurt , or whatever . And when we do these kind of things , when 300 million people do unconscious behaviors , then it can add up to a catastrophic consequence that nobody wants , and no one intended . And that 's what I look at with my photographic work . This is an image I just recently completed , that is , when you stand back at a distance , it looks like some kind of neo-gothic , cartoon image of a factory spewing out pollution . And as you get a little bit closer , it starts lo oking like lots of pipes , like maybe a chemical plant , or a refinery , or maybe a hellish freeway interchange . And as you get all the way up close , you realize that it 's actually made of lots and lots of plastic cups . And in fact , this is one million plastic cups , which is the number of plastic cups that are used on airline flights in the United States every six hours . We use four million cups a day on airline flights , and virtually none of them are reused or recycled ; they just do n't do that in that industry . Now that number is dwarfed by the number of paper cups we use every day , and that is 40 million cups a day for hot beverages , most of which is coffee . I could n't fit 40 million cups on a canvas , but I was able to put 410,000 . That 's what 410,000 cups looks like . That 's 15 minutes of our cup consumption . And if you could actually stack up that many cups in real life , that 's the size it would be . And there 's an hour 's worth of our cups . And there 's a day 's worth of our cups . You can still see the little people way down there . That 's as high as a 42-story building , and I put the Statue of Liberty in there as a scale reference . Speaking of justice , there 's another phenomenon going on in our culture that I find deeply troubling , and that is that America right now has the largest percentage of its population in prison of any country on Earth . One out of four people , one out of four humans in prison are Americans , imprisoned in our country . And I wanted to show the number . The number is 2.3 million Americans were incarcerated in 2005. And that 's gone up since then , but we do n't have the numbers yet . So I wanted to show 2.3 million prison uniforms , and in the actual print of this piece , each uniform is the size of a nickel on its edge . They 're tiny , they 're barely visible as a piece of material , and to show 2.3 million of them required a canvas that was larger than any printer in the world would print . And so I had to divide it up into multiple panels that are 10 feet tall by 25 feet wide . This is that piece installed in a gallery in New York ; those are my parents looking at the piece . ( Laughter ) Every time I look at this piece , I always wonder if my mom 's whispering to my dad , " He finally folded his laundry . " ( Laughter ) I want to show you some pieces now that are about addiction . And this particular one is about cigarette addiction . I wanted to make a piece that shows the actual number of Americans who die from cigarette smoking . More than 400,000 people die in the United States every year from smoking cigarettes . And so this piece is made up of lots and lots of boxes of cigarettes . And , as you slowly step back , you see that it 's a painting by Van Gogh , called " Skull with Cigarette . " It 's a strange thing to think about , that on 9/11 , when that tragedy happened , 3,000 Americans died , and do you remember the response ? It reverberated around the world , an d will continue to reverberate through time . It will be something that we talk about in 100 years . And yet on that same day , 1,100 Americans died from smoking . And the day after that , another 1,100 Americans died from smoking . And every single day since then , 1,100 Americans have died , and today , 1,100 Americans are dying from cigarette smoking . And we are n't talking about it ; we dismiss it . The tobacco lobby , it 's too strong . We just dismiss it out of our consciousness . And knowing what we know about the destructive power of cigarettes , we continue to allow our children , our sons and daughters , to be in the presence of the influences that start them smoking . And this is what the next piece is about . This is just lots and lots of cigarettes : 65,000 cigarettes , which is equal to the number of teenagers who will start smoking this month , and every month in the US . More than 700,000 children in the United States aged 18 and under begin smoking every year . One more strange epidemic in the United States that I want to acquaint you with is this phenomenon of abuse and misuse of prescription drugs . This is an image I 've made out of lots and lots of Vicodin -- well , actually I only had one Vicodin that I scanned lots and lots of times . ( Laughter ) And so as you stand back you see 213,000 Vicodin pills , which is the number of hospital emergency room visits yearly in the United States , attributable to abuse and misuse of prescription painkillers and anti-anxiety medications . One-third of all drug overdoses in the U. S. -- and that includes cocaine , heroin , alcohol , everything -- one-third of drug overdoses are prescription medications . A strange phenomenon . This is a piece that I just recently completed about another tragic phenomenon . And that is the phenomenon , this growing obsession we have with breast augmentation surgery . 384,000 women , American women , last year went in for elective breast augmentation surgery . It 's ra pidly becoming the most popular high school graduation gift , given to young girls who are about to go off to college . So I made this image out of Barbie dolls , and so as you stand back you see this kind of floral pattern , and as you get all the way back , you see 32,000 Barbie dolls , which represents the number of breast augmentation surgeries that are performed in the U. S. each month . The vast majority of those are on women under the age of 21. And strangely enough , the only plastic surgery that is more popular than breast augmentation is liposuction , and most of that is being done by men . Now , I want to emphasize that these are just examples . I 'm not holding these out as being the biggest issues . They 're just examples . And the reason that I do this , it 's because I have this fear that we are n't feeling enough as a culture right now . There 's this kind of anesthesia in America at the moment . We 've lost our sense of outrage , our anger and our grief about what ' s going on in our culture right now , what 's going on in our country , the atrocities that are being committed in our names around the world . They 've gone missing ; these feelings have gone missing . Our cultural joy , our national joy is nowhere to be seen . And one of the causes of this , I think , is that as each of us attempts to build this new kind of world view , this holoptical world view , this holographic image that we 're all trying to create in our mind of the inter-connection of things : the environmental footprints 1,000 miles away of the things that we buy ; the social consequences 10,000 miles away of the daily decisions that we make as consumers . As we try to build this view , and try to educate ourselves about the enormity of our culture , the information that we have to work with is these gigantic numbers : numbers in the millions , in the hundreds of millions , in the billions and now in the trillions . Bush 's new budget is in the trillions , and these are nu mbers that our brain just does n't have the ability to comprehend . We ca n't make meaning out of these enormous statistics . And so that 's what I 'm trying to do with my work , is to take these numbers , these statistics from the raw language of data , and to translate them into a more universal visual language , that can be felt . Because my belief is , if we can feel these issues , if we can feel these things more deeply , then they 'll matter to us more than they do now . And if we can find that , then we 'll be able to find within each one of us what it is that we need to find to face the big question , which is : How do we change ? That , to me , is the big question that we face as a people right now : How do we change ? How do we change as a culture , and how do we each individually take responsibility for the one piece of the solution that we are in charge of , and that is our own behavior ? My belief is that you do n't have to make yourself bad to look at these issues . I 'm not pointing the finger at America in a blaming way . I 'm simply saying , this is who we are right now . And if there are things that we see that we do n't like about our culture , then we have a choice . The degree of integrity that each of us can bring to the surface , to bring to this question , the depth of character that we can summon as we show up for the question of how do we change . It 's already defining us as individuals and as a nation , and it will continue to do that on into the future . And it will profoundly affect the well-being , the quality of life , of the billions of people who are going to inherit the results of our decisions . I 'm not speaking abstractly about this , I 'm speaking -- this is who we are in this room . Right now in this moment . Thank you and good afternoon . ( Applause ) \ No newline at end of file
http://git-wip-us.apache.org/repos/asf/opennlp-sandbox/blob/1f97041b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/97TediMcKeanE_Dict_EN.txt.txt ---------------------------------------------------------------------- diff --git a/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/97TediMcKeanE_Dict_EN.txt.txt b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/97TediMcKeanE_Dict_EN.txt.txt new file mode 100644 index 0000000..a868bf0 --- /dev/null +++ b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/97TediMcKeanE_Dict_EN.txt.txt @@ -0,0 +1,2 @@ + + Now , have any of y'all ever looked up this word ? You know , in a dictionary ? ( Laughter ) Yeah , that 's what I thought . How about this word ? Here , I 'll show it to you : Lexicography : the practice of compiling dictionaries . Notice -- we 're very specific . That word " compile . " The dictionary is not carved out of a piece of granite , out of a lump of rock . It 's made up of lots of little bits . It 's little discrete -- that 's spelled D-I-S-C-R-E-T-E -- bits . And those bits are words . Now one of the perks of being a lexicographer -- besides getting to come to TED -- is that you get to say really fun words , like lexicographical . Lexicographical has this great pattern -- it 's called a double dactyl . And just by saying double dactyl , I 've sent the geek needle all the way into the red . But " lexicographical " is the same pattern as " higgledy-piggledy . " Right ? It 's a fun word to say , and I get to say it a lot . Now , one of the non-perks of being a lexicogr apher is that people do n't usually have a kind of warm , fuzzy , snuggly image of the dictionary . Right ? Nobody hugs their dictionaries . But what people really often think about the dictionary is , they think more like this . Just to let you know , I do not have a lexicographical whistle . But people think that my job is to let the good words make that difficult left hand turn into the dictionary , and keep the bad words out . But the thing is , I do n't want to be a traffic cop . For one thing , I just do not do uniforms . And for another -- deciding what words are good and what words are bad is actually not very easy . And it 's not very fun . And when parts of your job are not easy or fun , you kind of look for an excuse not to do them . So if I had to think of some kind of occupation as a metaphor for my work , I would much rather be a fisherman . I wanna throw my big net into the deep blue ocean of English and see what marvelous creatures I can drag up from the bottom . But why do people want me to direct traffic , when I would much rather go fishing ? Well , I blame the Queen . Why do I blame the Queen ? Well , first of all , I blame the Queen because it 's funny . But secondly , I blame the Queen because dictionaries have really not changed . Our idea of what a dictionary is has not changed since her reign . The only thing Queen Victoria would not be amused by in modern dictionaries is our inclusion of the F-word , which has happened in American dictionaries since 1965. So , there 's this guy , right ? Victorian era . James Murray , first editor of the Oxford English Dictionary . I do not have that hat . I wish I had that hat . So he 's really responsible for a lot of what we consider modern in dictionaries today . When a guy who looks like that -- in that hat -- is the face of modernity , you have a problem . And so , James Murray could get a job on any dictionary today . There 'd be virtually no learning curve . And of course , a few of us are say ing : Computers ! Computers ! What about computers ? The thing about computers is -- I love computers . I mean , I 'm a huge geek , I love computers . I would go on a hunger strike before I let them take away Google Book Search from me . But computers do n't do much else other than speed up the process of compiling dictionaries . They do n't change the end result . Because what a dictionary is , is it 's Victorian design merged with a little bit of modern propulsion . It 's steampunk . What we have is an electric velocipede . You know , we have Victorian design with an engine on it . That 's all ! The design has not changed . And OK , what about online dictionaries , right ? Online dictionaries must be different . This is the Oxford English Dictionary Online , one of the best online dictionaries . This is my favorite word , by the way : Erinaceous : Pertaining to the hedgehog family ; of the nature of a hedgehog . Very useful word . So look at that . Online dictionaries right now ar e paper thrown up on a screen . This is flat . Look how many links there are in the actual entry : two ! Right ? Those little buttons -- I had them all expanded except for the date chart . So there 's not very much going on here . There 's not a lot of clickiness . And in fact , online dictionaries replicate almost all the problems of print , except for searchability . And when you improve searchability , you actually take away the one advantage of print , which is serendipity . Serendipity is when you find things you were n't looking for because finding what you are looking for is so damned difficult . So -- ( Laughter ) -- now , when you think about this , what we have here is a ham butt problem . Does everyone know the ham butt problem ? Woman 's making a ham for a big family dinner . She goes to cut the butt off the ham and throw it away , and she looks at this piece of ham and she 's like , " This is a perfectly good piece of ham . Why am I throwing this away ? " She thought , " Well my mom always did this . " So she calls up Mom , and she says , " Mom , why 'd you cut the butt off the ham when you 're making a ham ? " She says , " I do n't know , my mom always did it ! " So they call Grandma , and Grandma says , " My pan was too small ! " ( Laughter ) So it 's not that we have good words and bad words -- we have a pan that 's too small ! You know , that ham butt is delicious ! There 's no reason to throw it away . The bad words -- see , when people think about a place and they do n't find a place on the map , they think , " This map sucks ! " When they find a nightspot or a bar and it 's not in the guidebook , they 're like , " Ooh , this place must be cool ! It 's not in the guidebook . " When they find a word that 's not in the dictionary , they think , " This must be a bad word . " Why ? It 's more likely to be a bad dictionary . Why are you blaming the ham for being too big for the pan ? So you ca n't get a smaller ham . The English language is as bi g as it is . So if you have a ham butt problem , and you 're thinking about the ham butt problem , the conclusion it leads you to is inexorable and counter-intuitive : paper is the enemy of words . How can this be ? I mean , I love books . I really love books . Some of my best friends are books . But the book is not the best shape for the dictionary . Now they 're gonna think " Oh , boy . People are gonna take away my beautiful , paper dictionaries ? " No. There will still be paper dictionaries . When we had cars -- when cars became the dominant mode of transportation , we did n't round up all the horses and shoot them . You know , there 're still gonna be paper dictionaries , but it 's not going to be the dominant dictionary . The book-shaped dictionary is not going to be the only shape dictionaries come in . And it 's not going to be the prototype for the shapes dictionaries come in . So think about it this way : if you 've got an artificial constraint , artificial constraints lea d to arbitrary distinctions and a skewed worldview . What if biologists could only study animals that made people go , " Aww . " Right ? What if we made aesthetic judgments about animals , and only the ones we thought were cute were the ones that we could study ? We 'd know a whole lot about charismatic megafauna , and not very much about much else . And I think this is a problem . I think we should study all the words , because when you think about words , you can make beautiful expressions from very humble parts . Lexicography is really more about material science . We are studying the tolerances of the materials that you use to build the structure of your expression : your speeches and your writing . And then often people say to me , " Well , OK -- how do I know that this word is real ? " They think , " OK , if we think words are the tools that we use to build the expressions of our thoughts , how can you say that screwdrivers are better than hammers ? How can you say that a sled gehammer is better than a ball-peen hammer ? They 're just the right tool for the job . " And so people say to me , " How do I know if a word is real ? " You know , anyone that 's read a children 's book knows that love makes things real . If you love a word , use it . That makes it real . Being in the dictionary is an artificial distinction . It does n't make a word any more real than any other way . If you love a word , it becomes real . So if we 're not worrying about directing traffic , if we 've transcended paper , if we are worrying less about control and more about description , then we can think of the English language as being this beautiful mobile . And any time one of those little parts of the mobile changes , is touched -- any time you touch a word , you use it in a new context , you give it a new connotation , you verb it -- you make the mobile move . You did n't break it ; it 's just in a new position , and that new position can be just as beautiful . Now , if you 're no longer a traffic cop -- the problem with being a traffic cop is there can only be so many traffic cops in any one intersection , or the cars get confused . Right ? But if your goal is no longer to direct the traffic , but maybe to count the cars that go by , then more eyeballs are better . You can ask for help ! If you ask for help , you get more done . And we really need help . Library of Congress : 17 million books . Of which half are in English . If only one out of every 10 of those books had a word that 's not in the dictionary in it , that would be equivalent to more than two unabridged dictionaries . And I find an un-dictionaried word -- a word like " un-dictionaried , " for example -- in almost every book I read . What about newspapers ? Newspaper archive goes back to 1759. 58.1 million newspaper pages . If only one in 100 of those pages had an un-dictionaried word on it , it would be an entire other OED . That 's 500,000 more words . So that 's -- that 's a lot . And I 'm not even talking about magazines , I 'm not talking about blogs -- and I find more new words on BoingBoing in a given week than I do Newsweek or Time . There 's a lot going on there . And I 'm not even talking about polysemy , which is the greedy habit some words have of taking more than one meaning for themselves . So if you think of the word " set " -- a set can be a badger 's burrow , a set can be one of the pleats in an Elizabethan ruff -- and there 's one numbered definition in the OED . The OED has 33 different numbered definitions for set . Tiny little word , 33 numbered definitions . One of them is just labeled " miscellaneous technical senses . " Do you know what that says to me ? That says to me it was Friday afternoon and somebody wanted to go down the pub . That 's a lexicographical cop out , to say , " miscellaneous technical senses . " So we have all these words , and we really need help ! And the thing is , we could ask for help -- asking for help 's not that hard . I mean , lexicography is not rocket science . See , I just gave you a lot of words and a lot of numbers , and this is more of a visual explanation . If we think of the dictionary as being the map of the English language , these bright spots are what we know about and the dark spots are where we are in the dark . If that was the map of all the words in American English , we do n't know very much . And we do n't even know the shape of the language . If this was the dictionary -- if this was the map of American English -- look , we have a kind of lumpy idea of Florida , but there 's no California ! We 're missing California from American English . We just do n't know enough , and we do n't even know we 're missing California . We do n't even see that there 's a gap on the map . So again , lexicography is not rocket science . But even if it were , rocket science is being done by dedicated amateurs these days. You know ? It ca n't be that hard to find some words ! So , enough scientists in other disciplines are really asking people to help , and they 're doing a good job of it . For instance : there 's eBird , where amateur birdwatchers can upload information about their bird sightings . And then ornithologists can go and help track populations , migrations , et cetera . And there 's this guy Mike Oates . Mike Oates lives in the U. K. He 's a director of an electroplating company . He 's found more than 140 comets . He 's found so many comets , they named a comet after him . It 's kind of out past Mars -- it 's a hike . I do n't think he 's getting his picture taken there anytime soon . But he found 140 comets without a telescope . He downloaded data from the NASA SOHO satellite , and that 's how he found them . If we can find comets without a telescope , should n't we be able to find words ? Now , y'all know where I 'm going with this . Because I 'm going to the Internet , which is where everybody goes . And the Internet is great for collecting words , because the Internet 's full of collectors . And this is a little-known technological fact about the Internet , but the Internet is actually made up of words and enthusiasm . And words and enthusiasm actually happen to be the recipe for lexicography . Is n't that great ? So there are a lot of really good word-collecting sites out there right now , but the problem with some of them is that they 're not scientific enough . They show the word , but they do n't show any context : Where did it come from ? Who said it ? What newspaper was it in ? What book ? Because a word is like an archaeological artifact . If you do n't know the provenance or the source of the artifact , it 's not science -- it 's a pretty thing to look at . So a word without its source is like a cut flower . You know -- it 's pretty to look at for a while , but then it dies . It dies too fast . So this whole time I 've been saying , " The dictionary , the dictionary , the dictionary , the dictionary . " Not " a dictionary , " or " dictionaries . " And that 's because -- well , people use the dictionary to stand for the whole language . They use it synecdochically -- and one of the problems of knowing a word like " synecdochically " is that you really want an excuse to say synecdochically . This whole talk has just been an excuse to get me to the point where I could say synecdochically to all of you . So I 'm really sorry . But when you use a part of something -- like the dictionary is a part of the language , or a flag stands for the United States , a symbol of the country -- then you 're using it synecdochically . But the thing is , we could make the dictionary the whole language . If we get a bigger pan , then we can put all the words in . We can put in all the meanings . Does n't everyone want more meaning in their lives ? And we can make the dictionary not just be a symbol of the language -- we can make it be the whole language . You see , what I 'm really hoping for is that my son -- who turns seven t his month -- I want him to barely remember that this is the form factor that dictionaries used to come in . This is what dictionaries used to look like . I want him to think of this kind of dictionary as an eight-track tape . It 's a format that died because it was n't useful enough . It was n't really what people needed . And the thing is , if we can put in all the words , no longer have that artificial distinction between good and bad , we can really describe the language like scientists . We can leave the aesthetic judgments to the writers and the speakers . If we can do that , then I can spend all my time fishing and I do n't have to be a traffic cop anymore . Thank you very much for your kind attention . \ No newline at end of file http://git-wip-us.apache.org/repos/asf/opennlp-sandbox/blob/1f97041b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/98TediMillerA_News_EN.txt.txt ---------------------------------------------------------------------- diff --git a/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/98TediMillerA_News_EN.txt.txt b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/98TediMillerA_News_EN.txt.txt new file mode 100644 index 0000000..69aec09 --- /dev/null +++ b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/98TediMillerA_News_EN.txt.txt @@ -0,0 +1,2 @@ + + How does the news shape the way we see the world ? Here 's the world based on the way it looks -- based on land mass . And here 's how news shapes what Americans see . This map -- ( Applause ) -- this map shows the number of seconds that American network and cable news organizations dedicated to news stories , by country , in February of 2007 -- just one year ago . Now , this was a month when North Korea agreed to dismantle its nuclear facilities . There was massive flooding in Indonesia . And in Paris , the IPCC released its study confirming man 's impact on global warming . The U. S. accounted for 79 percent of total news coverage . And when we take out the U. S. and look at the remaining 21 percent , we see a lot of Iraq -- that 's that big green thing there -- and little else . The combined coverage of Russia , China and India , for example , reached just one percent . When we analyzed all the news stories and removed just one story , here 's how the world looked . What was that story ? The death of Anna Nicole Smith . This story eclipsed every country except Iraq , and received 10 times the coverage of the IPCC report . And the cycle continues ; as we all know , Britney has loomed pretty large lately . So why do n't we hear more about the world ? One reason is that news networks have reduced the number of their foreign bureaus by half . Aside from one-person ABC mini-bureaus in Nairobi , New Delhi and Mumbai , there are no network news bureaus in all of Africa , India or South America -- places that are home to more than two billion people . The reality is that covering Britney is cheaper . And this lack of global coverage is all the more disturbing when we see where people go for news . Local TV news looms large , and unfortunately only dedicates 12 percent of its coverage to international news . And what about the web ? The most popular news sites do n't do much better . Last year , Pew and the Colombia J-School analyzed the 14,000 stories that appe ared on Google News ' front page . And they , in fact , covered the same 24 news events . Similarly , a study in e-content showed that much of global news from U. S. news creators is recycled stories from the AP wire services and Reuters , and do n't put things into a context that people can understand their connection to it . So , if you put it all together , this could help explain why today 's college graduates as well as less educated Americans know less about the world than their counterparts did 20 years ago . And if you think it 's simply because we are not interested , you would be wrong . In recent years , Americans who say they closely follow global news most of the time grew to over 50 percent . The real question : is this distorted world view what we want for Americans in our increasingly interconnected world ? I know we can do better . And can we afford not to ? Thank you . \ No newline at end of file http://git-wip-us.apache.org/repos/asf/opennlp-sandbox/blob/1f97041b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/99TediNatchweyJ_WarPhotos_EN.txt.txt ---------------------------------------------------------------------- diff --git a/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/99TediNatchweyJ_WarPhotos_EN.txt.txt b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/99TediNatchweyJ_WarPhotos_EN.txt.txt new file mode 100644 index 0000000..56e473d --- /dev/null +++ b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tedi/99TediNatchweyJ_WarPhotos_EN.txt.txt @@ -0,0 +1,2 @@ + + As someone who has spent his entire career trying to be invisible , standing in front of an audience is a cross between an out-of-body experience and a deer caught in the headlights , so please forgive me for violating one of the TED commandments by relying on words on paper , and I only hope I 'm not struck by lightning bolts before I 'm done . I 'd like to begin by talking about some of the ideas that motivated me to become a documentary photographer . I was a student in the '60s , a time of social upheaval and questioning , and on a personal level , an awakening sense of idealism . The war in Vietnam was raging , the Civil Rights Movement was under way , and pictures had a powerful influence on me . Our political and military leaders were telling us one thing , and photographers were telling us another . I believed the photographers , and so did millions of other Americans . Their images fueled resistance to the war and to racism . They not only recorded history , they helped change the course of history . Their pictures became part of our collective consciousness and , as consciousness evolved into a shared sense of conscience , change became not only possible , but inevitable . I saw that the free flow of information represented by journalism , specifically visual journalism , can bring into focus both the benefits and the cost of political policies . It can give credit to sound decision making , adding momentum to success . In the face of poor political judgment or political inaction , it becomes a kind of intervention , assessing the damage and asking us to reassess our behavior . It puts a human face on issues which from afar can appear abstract or ideological or monumental in their global impact . What happens at ground level , far from the halls of power , happens to ordinary citizens one by one . And I understood that documentary photography has the ability to interpret events from their point of view . It gives a voice to those who otherwise wo uld not have a voice . And as a reaction , it stimulates public opinion and gives impetus to public debate , thereby preventing the interested parties from totally controlling the agenda , much as they would like to . Coming of age in those days made real the concept that the free flow of information is absolutely vital for a free and dynamic society to function properly . The press is certainly a business , and in order to survive it must be a successful business , but the right balance must be found between marketing considerations and journalistic responsibility . Society 's problems ca n't be solved until they 're identified . On a higher plane , the press is a service industry , and the service it provides is awareness . Every story does not have to sell something . There 's also a time to give . That was a tradition I wanted to follow . Seeing the war created such incredibly high stakes for everyone involved and that visual journalism could actually become a factor in conflict resolution , I wanted to be a photographer in order to be a war photographer . But I was driven by an inherent sense that a picture that revealed the true face of war would almost by definition be an anti-war photograph . I 'd like to take you on a visual journey through some of the events and issues I 've been involved in over the past 25 years . In 1981 , I went to Northern Ireland . 10 IRA prisoners were in the process of starving themselves to death in protest against conditions in jail . The reaction on the streets was violent confrontation . I saw that the front lines of contemporary wars are not on isolated battlefields , but right where people live . During the early '80s , I spent a lot of time in Central America , which was engulfed by civil wars that straddled the ideological divide of the Cold War . In Guatemala , the central government -- controlled by a oligarchy of European decent -- was waging a scorched earth campaign against an indigenous rebellion , and I saw an image that reflected the history of Latin America : conquest through a combination of the Bible and the sword . An anti-Sandinista guerrilla was mortally wounded as Commander Zero attacked a town in Southern Nicaragua . A destroyed tank belonging to Somoza 's national guard was left as a monument in a park in Managua , and was transformed by the energy and spirit of a child . At the same time , a civil war was taking place in El Salvador , and again , the civilian population was caught up in the conflict . I 've been covering the Palestinian-Israeli conflict since 1981. This is a moment from the beginning of the second intifada , in 2000 , when it was still stones and Molotovs against an army . In 2001 , the uprising escalated into an armed conflict , and one of the major incidents was the destruction of the Palestinian refugee camp in the West Bank town of Jenin . Without the political world to find common ground , the continual friction of tactic and counter-tactic only creates su spicion and hatred and vengeance , and perpetuates the cycle of violence . In the '90s , after the breakup of the Soviet Union , Yugoslavia fractured along ethnic fault lines , and civil war broke out between Bosnia , Croatia and Serbia . This is a scene of house-to-house fighting in Mostar , neighbor against neighbor . A bedroom , the place where people share intimacy , where life itself is conceived , became a battlefield . A mosque in northern Bosnia was destroyed by Serbian artillery and was used as a makeshift morgue . Dead Serbian soldiers were collected after a battle and used as barter for the return of prisoners or Bosnian soldiers killed in action . This was once a park . The Bosnian soldier who guided me told me that all of his friends were there now . At the same time in South Africa , after Nelson Mandela had been released from prison , the black population commenced the final phase of liberation from apartheid . One of the things I had to learn as a journalist was what to do with my anger . I had to use it , channel its energy , turn it into something that would clarify my vision , instead of clouding it . In Transkei , I witnessed a rite of passage into manhood , of the Xhosa tribe . Teenage boys lived in isolation , their bodies covered with white clay . After several weeks , they washed off the white and took on the full responsibilities of men . It was a very old ritual that seemed symbolic of the political struggle that was changing the face of South Africa . Children in Soweto playing on a trampoline . Elsewhere in Africa there was famine . In Somalia , the central government collapsed and clan warfare broke out . Farmers were driven off their land , and crops and livestock were destroyed or stolen . Starvation was being used as a weapon of mass destruction -- primitive but extremely effective . Hundreds of thousands of people were exterminated , slowly and painfully . The international community responded with massive humanitarian relief , and hundreds of thousands of more lives were saved . American troops were sent to protect the relief shipments , but they were eventually drawn into the conflict , and after the tragic battle in Mogadishu , they were withdrawn . In southern Sudan , another civil war saw similar use of starvation as a means of genocide . Again , international NGOs , united under the umbrella of the UN , staged a massive relief operation and thousands of lives were saved . I 'm a witness , and I want my testimony to be honest and uncensored . I also want it to be powerful and eloquent , and to do as much justice as possible to the experience of the people I 'm photographing . This man was in an NGO feeding center , being helped as much as he could be helped . He literally had nothing . He was a virtual skeleton , yet he could still summon the courage and the will to move . He had not given up , and if he did n't give up , how could anyone in the outside world ever dream of losing hope ? In 1994 , aft er three months of covering the South African election , I saw the inauguration of Nelson Mandela , and it was the most uplifting thing I 've ever seen . It exemplified the best that humanity has to offer . The next day I left for Rwanda , and it was like taking the express elevator to hell . This man had just been liberated from a Hutu death camp . He allowed me to photograph him for quite a long time , and he even turned his face toward the light , as if he wanted me to see him better . I think he knew what the scars on his face would say to the rest of the world . This time , maybe confused or discouraged by the military disaster in Somalia , the international community remained silent , and somewhere around 800,000 people were slaughtered by their own countrymen -- sometimes their own neighbors -- using farm implements as weapons . Perhaps because a lesson had been learned by the weak response to the war in Bosnia and the failure in Rwanda , when Serbia attacked Kosovo internati onal action was taken much more decisively . NATO forces went in , and the Serbian army withdrew . Ethnic Albanians had been murdered , their farms destroyed and a huge number of people forcibly deported . They were received in refugee camps set up by NGOs in Albania and Macedonia . The imprint of a man who had been burned inside his own home . The image reminded me of a cave painting , and echoed how primitive we still are in so many ways . Between 1995 and '96 , I covered the first two wars in Chechnya from inside Grozny . This is a Chechen rebel on the front line against the Russian army . The Russians bombarded Grozny constantly for weeks , killing mainly the civilians who were still trapped inside . I found a boy from the local orphanage wandering around the front line . My work has evolved from being concerned mainly with war to a focus on critical social issues as well . After the fall of Ceausescu , I went to Romania and discovered a kind of gulag of children , where thousan ds of orphans were being kept in medieval conditions . Ceausescu had imposed a quota on the number of children to be produced by each family , thereby making women 's bodies an instrument of state economic policy . Children who could n't be supported by their families were raised in government orphanages . Children with birth defects were labeled incurables , and confined for life to inhuman conditions . As reports began to surface , again international aid went in . Going deeper into the legacy of the Eastern European regimes , I worked for several months on a story about the effects of industrial pollution , where there had been no regard for the environment or the health of either workers or the general population . An aluminum factory in Czechoslovakia was filled with carcinogenic smoke and dust , and four out of five workers came down with cancer . After the fall of Suharto in Indonesia , I began to explore conditions of poverty in a country that was on its way towards moderniz ation . I spent a good deal of time with a man who lived with his family on a railway embankment and had lost an arm and a leg in a train accident . When the story was published , unsolicited donations poured in . A trust fund was established , and the family now lives in a house in the countryside and all their basic necessities are taken care of . It was a story that was n't trying to sell anything . Journalism had provided a channel for people 's natural sense of generosity , and the readers responded . I met a band of homeless children who 'd come to Jakarta from the countryside , and ended up living in a train station . By the age of 12 or 14 , they 'd become beggars and drug addicts . The rural poor had become the urban poor , and in the process they 'd become invisible . These heroin addicts in detox in Pakistan reminded me of figures in a play by Beckett : isolated , waiting in the dark , but drawn to the light . Agent Orange was a defoliant used during the Vietnam War to de ny cover to the Vietcong and the North Vietnamese army . The active ingredient was dioxin , an extremely toxic chemical that was sprayed in vast quantities , and whose effects passed through the genes to the next generation . In 2000 , I began documenting global health issues , concentrating first on AIDS in Africa . I tried to tell the story through the work of caregivers . I thought it was important to emphasize that people were being helped , whether by international NGOs or by local grassroots organizations . So many children have been orphaned by the epidemic that grandmothers have taken the place of parents , and a lot of children had been born with HIV . A hospital in Zambia . I begun documenting the close connection between HIV/AIDS and tuberculosis . This is an MSF hospital in Cambodia . My pictures can play a supporting role to the work of NGOs by shedding light on the critical social problems they 're trying to deal with . I went to Congo with MSF , and contributed to a b ook and an exhibition that focused attention on a forgotten war in which millions of people have died , and exposure to disease without treatment is used as a weapon . A malnourished child being measured as part of the supplemental feeding program . In the fall of 2004 I went to Darfur . This time I was on an assignment for a magazine , but again worked closely with MSF . The international community still has n't found a way to create the pressure necessary to stop this genocide . An MSF hospital in a camp for displaced people . I 've been working on a long project on crime and punishment in America . This is a scene from New Orleans . A prisoner on a chain gang in Alabama was punished by being handcuffed to a post in the midday sun . This experience raised a lot of questions , among them questions about race and equality and for whom in our country opportunities and options are available . In the yard of a chain gang in Alabama . I did n't see either of the planes hit . When I glan ced out my window , I saw the first tower burning , and I thought it might have been an accident . A few minutes later when I looked again and saw the second tower burning , I knew we were at war . In the midst of the wreckage at Ground Zero , I had a realization . I 'd been photographing in the Islamic world since 1981 -- not only in the Middle East , but also in Africa , Asia and Europe . At the time I was photographing in these different places , I thought I was covering separate stories . But on 9/11 history crystallized , and I understood I 'd actually been covering a single story for more than 20 years , and the attack on New York was its latest manifestation . The central commercial district of Kabul , Afghanistan at the end of the civil war , shortly before the city fell to the Taliban . Land mine victims being helped at the Red Cross rehab center being run by Alberto Cairo . A boy who lost a leg to a leftover mine . I 'd witnessed immense suffering in the Islamic world from political oppression , civil war , foreign invasions , poverty , famine . I understood that in its suffering , the Islamic world had been crying out . Why were n't we listening ? A Taliban fighter shot during a battle as the Northern Alliance entered the city of Kunduz . When war with Iraq was imminent , I realized the American troops would be very well covered , so I decided to cover the invasion from inside Baghdad . A marketplace was hit by a mortar shell that killed several members of a single family . A day after American forces entered Baghdad , a company of Marines began rounding up bank robbers and were cheered on by the crowds -- a hopeful moment that was short lived . For the first time in years , Shi'ites were allowed to make the pilgrimage to Karbala to observe Ashura , and I was amazed by the sheer number of people and how fervently they practiced their religion . A group of men march through the streets cutting themselves with knives . It was obvious that the Shi'ites were a force to be reckoned with , and we would do well to understand them and learn how to deal with them . Last year I spent several months documenting our wounded troops , from the battlefield in Iraq all the way home . This is a helicopter medic giving CPR to a soldier who had been shot in the head . Military medicine has become so efficient that the percentage of troops who survive after being wounded is much higher in this war than in any other war in our history . The signature weapon of the war is the IED , and the signature wound is severe leg damage . After enduring extreme pain and trauma , the wounded face a grueling physical and psychological struggle in rehab . The spirit they displayed was absolutely remarkable . I tried to imagine myself in their place , and I was totally humbled by their courage and determination in the face of such catastrophic loss . Good people had been put in a very bad situation for questionable results . One day in rehab someone , started tal king about surfing and all these guys who 'd never surfed before said , " Hey , lets go . " And they went surfing . Photographers go to the extreme edges of human experience to show people what 's going on . Sometimes they put their lives on the line , because they believe your opinions and your influence matter . They aim their pictures at your best instincts , generosity , a sense of right and wrong , the ability and the willingness to identify with others , the refusal to accept the unacceptable . My TED wish : there 's a vital story that needs to be told , and I wish for TED to help me gain access to it and then to help me come up with innovative and exciting ways to use news photography in the digital era . Thank you very much . ( Applause ) \ No newline at end of file http://git-wip-us.apache.org/repos/asf/opennlp-sandbox/blob/1f97041b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/103TeleHTC_Manual_0_EN.txt.txt ---------------------------------------------------------------------- diff --git a/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/103TeleHTC_Manual_0_EN.txt.txt b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/103TeleHTC_Manual_0_EN.txt.txt new file mode 100644 index 0000000..f314722 --- /dev/null +++ b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/103TeleHTC_Manual_0_EN.txt.txt @@ -0,0 +1,2 @@ + +User Manual www . htc . com Please Read Before Proceeding THE BATTERY IS NOT CHARGED WHEN YOU TAKE IT OUT OF THE BOX . DO NOT REMOVE THE BATTERY PACK WHEN THE DEVICE IS CHARGING . YOUR WARRANTY IS INVALIDATED IF YOU DISASSEMBLE OR ATTEMPT TO DISASSEMBLE THE DEVICE . PRIVACY RESTRICTIONS Some countries require full disclosure of recorded telephone conversations , and stipulate that you must inform the person with whom you are speaking that the conversation is being recorded . Always obey the relevant laws and regulations of your country when using the recording feature of your PDA Phone . INTELLECTUAL PROPERTY RIGHT INFORMATION Copyright © 2009 HTC Corporation . All Rights Reserved . HTC , the HTC logo , HTC Innovation , ExtUSB , TouchFLO , HTC Touch Pro , Straight Talk , Push Internet and HTC Care are trademarks and/or service marks of HTC Corporation . Microsoft , Windows , Windows Mobile , Windows XP , Windows Vista , ActiveSync , Windows Mobile Device Center , Internet Explor er , MSN , Hotmail , Windows Live , Outlook , Excel , PowerPoint , Word , OneNote and Windows Media are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries . Bluetooth and the Bluetooth logo are trademarks owned by Bluetooth SIG , Inc. Wi-Fi is a registered trademark of the Wireless Fidelity Alliance , Inc. Java , J2ME and all other Java-based marks are trademarks or registered trademarks of Sun Microsystems , Inc. in the United States and other countries . Copyright © 2009 , Sun Microsystems , Inc. All Rights Reserved . Copyright © 2009 , Adobe Systems Incorporated . All Rights Reserved . microSD is a trademark of SD Card Association . Opera Mobile from Opera Software ASA . Copyright 1995-2009 Opera Software ASA . All Rights Reserved . Google , Google Maps , and YouTube are trademarks of Google , Inc. in the United States and other countries . Copyright © 2009 , Esmertec AG . All Rights Reserved . Copyright © 2003-2009 , ArcSoft , Inc. and its licensors . All Rights Reserved . ArcSoft and the ArcSoft logo are registered trademarks of ArcSoft , Inc. in the United States and/or other countries . Copyright © 2004-2009 , Ilium Software , Inc. All Rights Reserved . Copyright © 2009 , Aplix Corporation . All Rights Reserved . Copyright © 2000 - 2008 WESTTEK LLC . All Rights Reserved . WESTTEK and the WT Logo are registered trademarks of WESTTEK , LLC . Licensed by QUALCOMM Incorporated under one or more of the following patents : 4,901,307 5,506,865 5,267,261 5,600,754 5,490,165 5,109,390 5,544,196 5,414,796 5,056,109 5,511,073 5,267,262 5,657,420 5,504,773 5,101,501 5,778,338 5,228,054 5,535,239 5,710,784 5,568,483 5,337,338 5,659,569 5,416,797 All other company , product and service names mentioned herein are trademarks , registered trademarks or service marks of their respective owners . HTC shall not be liable for technical or editorial errors or omissions contained herein , nor for incidental o r consequential damages resulting from furnishing this material . The information is provided â as is â without warranty of any kind and is subject to change without notice . HTC also reserves the right to revise the content of this document at any time without prior notice . No part of this document may be reproduced or transmitted in any form or by any means , electronic or mechanical , including photocopying , recording or storing in a retrieval system , or translated into any language in any form without prior written permission of HTC . Disclaimers THE WEATHER INFORMATION , STOCK DATA , DATA AND DOCUMENTATION ARE PROVIDED â AS IS â AND WITHOUT WARRANTY OR TECHNICAL SUPPORT OF ANY KIND FROM HTC . TO THE MAXIMUM EXTENT PERMITTED BY APPLICABLE LAW , HTC AND ITS AFFILIATES expressly disclaim any and all representations and warranties , express or implied , arising by law or otherwise , regarding the Weather Information , Stock Data , Data , Documentation , or any other Prod ucts and services , including without limitation any express or implied warranty of merchantability , express or implied warranty of fitness for a particular purpose , non-infringement , quality , accuracy , completeness , effectiveness , reliability , usefulness , that the Weather Information , Stock Data , Data and/or Documentation will be error-free , or implied warranties arising from course of dealing or course of performance . Without limiting the foregoing , it is further understood that HTC and its Providers are not responsible for Your use or misuse of the Weather Information , Stock Data , Data and/or Documentation or the results from such use . HTC and its Providers make no express or implied warranties , guarantees or affirmations that weather information will occur or has occurred as the reports , forecasts , data , or information state , represent or depict and it shall have no responsibility or liability whatsoever to any person or entity , parties and non-parties ali ke , for any inconsistency , inaccuracy , or omission for weather or events predicted or depicted , reported , occurring or occurred . WITHOUT LIMITING THE GENERALITY OF THE FOREGOING , YOU ACKNOWLEDGE THAT THE WEATHER INFORMATION , STOCK DATA , DATA AND/ OR DOCUMENTATION MAY INCLUDE INACCURACIES AND YOU WILL USE COMMON SENSE AND FOLLOW STANDARD SAFETY PRECAUTIONS IN CONNECTION WITH THE USE OF THE WEATHER INFORMATION , STOCK DATA , DATA OR DOCUMENTATION . Limitation of Damages TO THE MAXIMUM EXTENT PERMITTED BY APPLICABLE LAW , IN NO EVENT SHALL HTC OR ITS PROVIDERS BE LIABLE TO USER OR ANY THIRD PARTY FOR ANY INDIRECT , SPECIAL , CONSEQUENTIAL , INCIDENTAL OR PUNITIVE DAMAGES OF ANY KIND , IN CONTRACT OR TORT , INCLUDING , BUT NOT LIMITED TO , INJURY , LOSS OF REVENUE , LOSS OF GOODWILL , LOSS OF BUSINESS OPPORTUNITY , LOSS OF DATA , AND/OR LOSS OF PROFITS ARISING OUT OF , OR RELATED TO , IN ANY MANNER , OR THE DELIVERY , PERFORMANCE OR NONPERFORMANCE OF OBLIGATIONS , OR USE OF THE WEATHER INFORMATION , STOCK DATA , DATA OR DOCUMENTATION HEREUNDER REGARDLESS OF THE FORESEEABILITY THEREOF . Important Health Information and Safety Precautions When using this product , the safety precautions below must be taken to avoid possible legal liabilities and damages . Retain and follow all product safety and operating instructions . Observe all warnings in the operating instructions on the product . To reduce the risk of bodily injury , electric shock , fire , and damage to the equipment , observe the following precautions . ELECTRICAL SAFETY This product is intended for use when supplied with power from the designated battery or power supply unit . Other usage may be dangerous and will invalidate any approval given to this product . SAFETY PRECAUTIONS FOR PROPER GROUNDING INSTALLATION CAUTION : Connecting to an improperly grounded equipment can result in an electric shock to your device . This product is equipped with a USB Cable for connecting with desktop or notebook computer . Be sure your computer is properly grounded ( earthed ) before connecting this product to the computer . The power supply cord of a desktop or notebook computer has an equipment-grounding conductor and a grounding plug . The plug must be plugged into an appropriate outlet which is properly installed and grounded in accordance with all local codes and ordinances . SAFETY PRECAUTIONS FOR POWER SUPPLY UNIT ⢠Use the correct external power source A product should be operated only from the type of power source indicated on the electrical ratings label . If you are not sure of the type of power source required , consult your authorized service provider or local power company . For a product that operates from battery power or other sources , refer to the operating instructions that are included with the product . ⢠Handle battery packs carefully This product contains a Li-ion or Li-ion Polymer battery . There is a risk of fire and burns if the battery pack is handled improp erly . Do not attempt to open or service the battery pack . Do not disassemble , crush , puncture , short external contacts or circuits , dispose of in fire or water , or expose a battery pack to temperatures higher than 60°C ( 140°F ) . ARNING : Danger of explosion if battery is incorrectly replaced . To reduce risk W of fire or burns , do not disassemble , crush , puncture , short external contacts , expose to temperature above 60° C ( 140° F ) , or dispose of in fire or water . Replace only with specified batteries . Recycle or dispose of used batteries according to the local regulations or reference guide supplied with your product . ⢠Take extra precautions ⢠Keep the battery or device dry and away from water or any liquid as it may cause a short circuit . ⢠Keep metal objects away so they donât come in contact with the battery or its connectors as it may lead to short circuit during operation . ⢠The phone should only be connected to products that bear the USB-IF logo or have completed the USB-IF compliance program . ⢠Do not use a battery that appears damaged , deformed , or discolored , or the one that has any rust on its casing , overheats , or emits a foul odor . ⢠Always keep the battery out of the reach of babies and small children , to avoid swallowing of the battery . Consult the doctor immediately if the battery is swallowed . ⢠If the battery leaks : ⢠Do not allow the leaking fluid to come in contact with skin or clothing . If already in contact , flush the affected area immediately with clean water and seek medical advice . ⢠Do not allow the leaking fluid to come in contact with eyes . If already in contact , DO NOT rub ; rinse with clean water immediately and seek medical advice . ⢠Take extra precautions to keep a leaking battery away from fire as there is a danger of ignition or explosion . SAFETY PRECAUTIONS FOR DIRECT SUNLIGHT Keep this product away from excessive moisture and extreme temperatures . Do not leav e the product or its battery inside a vehicle or in places where the temperature may exceed 60°C ( 140°F ) , such as on a car dashboard , window sill , or behind a glass that is exposed to direct sunlight or strong ultraviolet light for extended periods of time . This may damage the product , overheat the battery , or pose a risk to the vehicle . PREVENTION OF HEARING LOSS CAUTION : Permanent hearing loss may occur if earphones or headphones are used at high volume for prolonged periods of time . NOTE : For France , Earphone ( listed below ) for this device have been tested to comply with the Sound Pressure Level requirement laid down in the applicable NF EN 503321:2000 and/or NF EN 50332-2:2003 standards as required by French Article L. 5232-1 . ⢠Earphone , manufactured by HTC , Model HS S300 . SAFETY IN AIRCRAFT Due to the possible interference caused by this product to an aircraftâs navigation system and its communications network , using this deviceâs phone function on board an airplane is against the law in most countries . If you want to use this device when on board an aircraft , remember to turn off your phone by switching to Airplane Mode . ENVIRONMENT RESTRICTIONS Do not use this product in gas stations , fuel depots , chemical plants or where blasting operations are in progress , or in potentially explosive atmospheres such as fuelling areas , fuel storehouses , below deck on boats , chemical plants , fuel or chemical transfer or storage facilities , and areas where the air contains chemicals or particles , such as grain , dust , or metal powders . Please be aware that sparks in such areas could cause an explosion or fire resulting in bodily injury or even death . EXPLOSIVE ATMOSPHERES When in any area with a potentially explosive atmosphere or where flammable materials exist , the product should be turned off and the user should obey all signs and instructions . Sparks in such areas could cause an explosion or fire resulting in bodily inju ry or even death . Users are advised not to use the equipment at refueling points such as service or gas stations , and are reminded of the need to observe restrictions on the use of radio equipment in fuel depots , chemical plants , or where blasting operations are in progress . Areas with a potentially explosive atmosphere are often , but not always , clearly marked . These include fueling areas , below deck on boats , fuel or chemical transfer or storage facilities , and areas where the air contains chemicals or particles , such as grain , dust , or metal powders . ROAD SAFETY Vehicle drivers in motion are not permitted to use telephony services with handheld devices , except in the case of emergency . In some countries , using handsfree devices as an alternative is allowed . SAFETY PRECAUTIONS FOR RF EXPOSURE ⢠Avoid using your phone near metal structures ( for example , the steel frame of a building ) . ⢠Avoid using your phone near strong electromagnetic sources , such as microwave ovens , sound speakers , TV and radio . ⢠Use only original manufacturer-approved accessories , or accessories that do not contain any metal . ⢠Use of non-original manufacturer-approved accessories may violate your local RF exposure guidelines and should be avoided . INTERFERENCE WITH MEDICAL EQUIPMENT FUNCTIONS This product may cause medical equipment to malfunction . The use of this device is forbidden in most hospitals and medical clinics . If you use any other personal medical device , consult the manufacturer of your device to determine if they are adequately shielded from external RF energy . Your physician may be able to assist you in obtaining this information . Turn your phone OFF in health care facilities when any regulations posted in these areas instruct you to do so . Hospitals or health care facilities may be using equipment that could be sensitive to external RF energy . 10 HEARING AIDS Some digital wireless phones may interfere with some hearing aids . In the event of such interference , you may want to consult your service provider , or call the customer service line to discuss alternatives . NONIONIZING RADIATION Your device has an internal antenna . This product should be operated in its normaluse position to ensure the radiative performance and safety of the interference . As with other mobile radio transmitting equipment , users are advised that for satisfactory operation of the equipment and for the safety of personnel , it is recommended that no part of the human body be allowed to come too close to the antenna during operation of the equipment . Use only the supplied integral antenna . Use of unauthorized or modified antennas may impair call quality and damage the phone , causing loss of performance and SAR levels exceeding the recommended limits as well as result in non-compliance with local regulatory requirements in your country . To assure optimal phone performance and ensure human exposure to RF energy is within the guidelines set forth in the relevant standards , always use your device only in its normal-use position . Contact with the antenna area may impair call quality and cause your device to operate at a higher power level than needed . Avoiding contact with the antenna area when the phone is IN USE optimizes the antenna performance and the battery life . Antenna location 11 General Precautions ⢠Avoid applying excessive pressure to the device Do not apply excessive pressure on the screen and the device to prevent damaging them and remove the device from your pants â pocket before sitting down . It is also recommended that you store the device in a protective case and only use the device stylus or your finger when interacting with the touch screen . Cracked display screens due to improper handling are not covered by the warranty . ⢠Device getting warm after prolonged use When using your device for prolonged periods of time , such as when youâre talking on the phone , charging the battery or browsing the web , the device may become warm . In most cases , this condition is normal and therefore should not be interpreted as a problem with the device . ⢠Heed service markings Except as explained elsewhere in the Operating or Service documentation , do not service any product yourself . Service needed on components inside the device should be done by an authorized service technician or provider . ⢠Damage requiring service Unplug the product from the electrical outlet and refer servicing to an authorized service technician or provider under the following conditions : ⢠Liquid has been spilled or an object has fallen onto the product . ⢠The product has been exposed to rain or water . ⢠The product has been dropped or damaged . ⢠There are noticeable signs of overheating . ⢠The product does not operate normally when you follow the operating instructions . ⢠Avoid hot areas The product should be placed away from heat sources such as radiators , hea t registers , stoves , or other products ( including amplifiers ) that produce heat . 12 ⢠Avoid wet areas Never use the product in a wet location . ⢠Avoid using your device after a dramatic change in temperature When you move your device between environments with very different temperature and/or humidity ranges , condensation may form on or within the device . To avoid damaging the device , allow sufficient time for the moisture to evaporate before using the device . NOTICE : When taking the device from low-temperature conditions into a warmer environment or from high-temperature conditions into a cooler environment , allow the device to acclimate to room temperature before turning on power . ⢠Avoid pushing objects into product Never push objects of any kind into cabinet slots or other openings in the product . Slots and openings are provided for ventilation . These openings must not be blocked or covered . ⢠Mounting accessories Do not use the product on an unstable tab le , cart , stand , tripod , or bracket . Any mounting of the product should follow the manufacturerâs instructions , and should use a mounting accessory recommended by the manufacturer . ⢠Avoid unstable mounting Do not place the product with an unstable base . ⢠Use product with approved equipment This product should be used only with personal computers and options identified as suitable for use with your equipment . ⢠Adjust the volume Turn down the volume before using headphones or other audio devices . ⢠Cleaning Unplug the product from the wall outlet before cleaning . Do not use liquid cleaners or aerosol cleaners . Use a damp cloth for cleaning , but NEVER use water to clean the LCD screen . 13 \ No newline at end of file http://git-wip-us.apache.org/repos/asf/opennlp-sandbox/blob/1f97041b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/104TeleHTC_Manual_10_EN.txt.txt ---------------------------------------------------------------------- diff --git a/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/104TeleHTC_Manual_10_EN.txt.txt b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/104TeleHTC_Manual_10_EN.txt.txt new file mode 100644 index 0000000..715ed63 --- /dev/null +++ b/opennlp-similarity/src/test/resources/style_recognizer/txt/Tele/104TeleHTC_Manual_10_EN.txt.txt @@ -0,0 +1,2 @@ + +Chapter 10 Navigating on the Road 10.1 Google⢠Maps ( Available by Country ) Google⢠Maps lets you track your current location , view real-time traffic situations , and receive detailed directions to your destination . It also allows you to search and locate places of interest or even a contact address . Note You need an active data or Wi-Fi connection to use Google Maps . To open Google Maps , tap Start > Google Maps . Zoom in Zoom out View your current location . Get directions , see traffic information , and more . Search for places 190 Navigating on the Road Notes ⢠Traffic information is available only in some selected cities . ⢠Tap Menu > Help > Tips to learn more about the program and its many features . Searching a place of interest Google Maps lets you search and locate a place of interest , shows the contact information for that place , and gives directions on how to get there from your current location . 1. On the Google Maps screen , tap Search . 2. Enter the na me , address , or postal code of the place on the search field and then tap OK . 3. In the search results list , tap the place to view its address , phone number , and other details . Navigating on the Road 191 4. On the Address tab , tap : ⢠The [ phone number ] to call the place of interest . ⢠The web address ( if available ) to go to the web site of the place of interest . ⢠Get directions to get directions to the place of interest from your current location . ⢠Street view ( available by country ) to display a street view of the place of interest , when available . ⢠Send as text message to send the placeâs contact information to your contact via SMS . ⢠Save as favorite to add the place of interest to your list of favorite places . To access your favorite places , on the Google Maps screen , tap Menu > Favorites . ⢠Save as contact to save the contact information of the place of interest to your contacts list . 5. Tap See map to view the place of interest on th e map . For more information about Google Maps , go to http://www.google.com/gmm/index.html. 10.2 Guidelines and Preparation for Using GPS If you installed a GPS navigation software on your device , follow these guidelines before and when using your device for GPS navigation . ⢠When using GPS navigation software in the car , always plot your GPS route before starting to drive . Do not try to configure the GPS navigation software while driving . ⢠The plotted GPS route is only for driving reference . It should not interfere with actual driving behavior . 192 Navigating on the Road ⢠Do not leave your device in a vehicle or expose the device to direct sunlight to avoid overheating the battery , which could pose damage to the device or risk to the vehicle . ⢠When using the device inside a vehicle , use the car holder to mount the device securely in place . Avoid placing the device in the areas shown in the following diagram : 1 Do not place where it will block the driverâs vision . 2 Do not place where air bags could deploy . 3 Do not place anywhere in the vehicle without securing the device in the holder . ⢠Use the GPS system cautiously . Users shall be liable for any damages resulting from negligent operation of the system . ⢠The GPS signal cannot pass through solid non-transparent objects . Signal reception may be affected by obstructions such as high-rise buildings , tunnels , bridges , forests , weather ( rainy or cloudy days ) , etc. If the vehicleâs visor contains metal , it will be difficult for the GPS signal to pass through . ⢠Other nearby wireless communication products ( such as mobile phones or radar-detecting devices ) may interfere with the satellite signal , resulting in unstable signal reception . Navigating on the Road 193 ⢠The Global Positioning System ( GPS ) is built and operated by the US Defense Department . The Department is responsible for the accuracy and maintenance of the system . Any changes that the Departme nt makes may affect the accuracy and function of the GPS system . 10.3 Downloading Location Data via QuickGPS Before using the device for GPS navigation , open QuickGPS to download ephemeris data ( current satellite position and timing information ) . QuickGPS significantly speeds up the time for determining your GPS position . QuickGPS downloads ephemeris data from web servers , instead of from satellites , using your deviceâs Internet connection via Wi-Fi , ActiveSync or GPRS/3G . To open QuickGPS Tap Start > All Programs > QuickGPS . To download GPS data Tap Download on the QuickGPS screen . On the screen , initially , you will see the Valid time of the downloaded data . As time passes , the remaining days and hours of validity will be shown . To speed up GPS positioning , download the latest ephemeris data when the validity of the data expires . 194 Navigating on the Road Changing the download options To configure download options , tap Menu > Options and choose from available options : ⢠Remind me when data expires . Display a message when ephemeris data expires . ⢠Auto download when data expires . Automatically download ephemeris data when it expires . ⢠Auto download when connected to PC via ActiveSync . Automatically download ephemeris data when it is connected to your computer via ActiveSync . Your computer must be connected to the Internet to download ephemeris data . ⢠Exit QuickGPS after downloading . Close QuickGPS after satellite data is downloaded . \ No newline at end of file
