Kat

In response to your question of "how many times to run a typical improper duple 
minor contra" definitely depends upon context. At a dance festival/weekend, the 
dances run longer. If you have very long lines - or very short lines - the 
dance will run a different amount.

As I say in caller classes, the perfect answer is to run the dance until people 
are getting tired, and then stop 2 times before that. Ha!

My standard is to run it until the top couple (at the beginning) gets to the 
bottom, and then start the process of going out. So if you had 5 duples, at 
around 10x through be looking at the band to tell them 3 times or something 
like that. So 11-13 times through.

BUT that number is dependent upon context. How hard is the dance? If people got 
it right away, then fewer times. How exciting is the music? If the music is 
driving the dancers, maybe a few more times.

And as always, "less is more". Use the old showbiz maxim, "Leave them wanting 
more"
Seth


Seth Tepfer, MBA, CSM, PMP (he, him, his)

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On Sep 5, 2024, at 8:43 AM, Katherine Kitching via Contra Callers 
<[email protected]> wrote:
In particular, I had searched all over the internet last year for some clue as 
to how many times through a typical improper duple contra dance would run, and 
had a real hard time finding that info.

I had concluded that with 5 duples in a set (our usual), we might dance through 
up to 17 times, which would take about 9 minutes at 117bpm..... so that those 
who started at the top would get back to the top.

Do you think that's too long?

I was under the impression that in the US the lines are often longer than 5 
duples, and that the convention was to dance long enough to let everyone travel 
up and down the line the whole way....so I was thinking that in a seasoned 
contra dance group the dance might go on 15 minutes or more?

Very curious about this now!

Kat Kitching in Halifax NS

Sep 4, 2024 3:16:24 PM John Sweeney via Contra Callers 
<[email protected]>:

Hi Seth,

              Linda Game (English Contra Dance Band) ran a session for the 
Irish musicians who were going to play for the first contra dance that we ran 
in Paris.  I have put a copy of her notes at 
https://contrafusion.co.uk/documents/LindaGameMusicianWorkshop.jpg - I hope 
Linda won’t mind.

              One interesting exercise that she did was to get four dancers to 
do some Rory O’Mores to a Reel, then the same sequence to a Jig so that the 
band could see the effect on the dancers.

              This is meant for callers: 
https://contrafusion.co.uk/CallersandMusic.html but you might find some useful 
points there.

              I have danced (ceilidh, but same challenge) to a band who seemed 
to think that they were playing for a concert.  They put in extra beats and ran 
improvisations across  the phrases.  They went so wild that you couldn’t hear 
the phrasing.  It was fantastic to listen to, but a nightmare to try to dance 
to!

              It is crucial that the band understand that the dancers are 
listening to the beat and the phrasing.  They especially want to hear the 
beginning of A1 and B1 clearly and unambiguously.

              Good luck!

            Happy dancing,

                   John



John Sweeney, Dancer, England   [email protected] 01233 625 362 & 07802 940 
574

http://www.contrafusion.co.uk for Dancing in Kent

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