Wow...I think you should call this "Expect the Unexpected."  That
petronella and shift left might cause some dancer to do "the bump" ... a
dance from my teenage years so long ago.

On Thu, Apr 3, 2025 at 8:39 AM Sam Whited via Contra Callers <
[email protected]> wrote:

> Hi all,
>
> I've got a dance in my sketchbook that I think is ready for a bit of
> feedback after trying it with a small group of dancers last night, and
> I'm hoping to solicit some from more experienced choreographers before I
> call it again. I'm also open to name suggestions if you have any (I hate
> naming things)!
>
> Untitled, Duple becket
> A1. Neighbors balance across & pull by right, partner pull by; shadows
> balance and box the gnat [1]
> A2. Pull by and partner swing
> B1. Balance and petronella; neighbor swing
> B2. Ring balance, pass partner by right [2], neighbor pull by right;
> next neighbor balance and petronella left
>
> [1]: The shadow _balance_ in A1 is outside of your minor set along the
> lines.
> [2]: On the _pass by_ in B2 give a little tug on your outside hands to
> get momentum. This is really another "pull by", but "pull by right with
> outside hands" is a mouthful and confused the experienced dancers.
>
> A up-to-date version can be found here: https://contradb.com/dances/2682
>
> Any thoughts, critiques, etc. that I can learn from would be
> appreciated. Thank you!
>
> —Sam
>
>
> P.S. I originally had a balance before the neighbor swing too, so the
> swing was effectively just switching sides. Maybe I should have called
> it a roll away and just had no neighbor swing, but the experienced
> dancers were not pleased and wanted a full neighbor swing so I caved
> even though the petronella into a swing feels a bit "smooth" compared to
> the rest of the dance; I could still go either way on that one.
>
> P.P.S. I'm also aware that the petronella left is not common to say the
> least. I've seen it once or twice and always enjoyed it, but maybe it's
> best to steer clear? I originally had that as a circle right 3 and
> figured that if the experienced dancers were already going to be
> confused I might as well swap it for something where I can fit a balance
> like the rest of the dance. I'm not sure if this logic actually makes
> sense, but it felt fun to me. Last night I called it with the circle
> right, so that's the only part of the dance that hasn't been tried on
> real dancers.
>
>
> --
> Sam Whited
> [email protected]
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-- 
Most sincerely,

Kelsey Hartman
(510) 816-7225
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