Robert, Stephen,
I may have responded to the question about location and inventory control data 
out of context.  We do not publish the locations of objects at the NMAI's 
Cultural Resources Center on our collections webpage.  We have published data 
about what exhibits or areas of the museums our objects are located in or were 
displayed in.  We often have visitors who ask us, "Where can I see 'insert 
tribal name here' objects?"  We would like to offer our visitors the ability to 
create their own unique tribally oriented museum tours. 

Jane
-----Original Message-----
From: Robert Sanderson [mailto:[email protected]] 
Sent: Tuesday, October 03, 2017 1:25 PM
To: [email protected]; Sledge, Jane <[email protected]>; 'van Leusen, P.M.' 
<[email protected]>; 'George Bruseker' <[email protected]>
Cc: [email protected]
Subject: Re: [Crm-sig] NEW ISSUE using CRM


Thanks Stephen!

Can you point me to any data published in this way on the web today?  I think 
we all agree that it would be nice to have from a research point of view, but 
if institutions are unwilling to _actually_ do it (and our experience to date 
suggests that to be the case) then while the effort might be minimal and the 
potential large, the net result is still zero.

Rob

On 10/3/17, 9:32 AM, "Stephen Stead" <[email protected]> wrote:

    Hi Rob
    There is lots of potential research that could be done if the movement data 
was available from many institutions. For example on average how often do 
objects move, is there a relationship between moves and condition or material, 
how many moves does it take to organise an exhibit, what are the hidden costs 
of conservation interventions, what are the bandwidth requirements of RFID 
installations, should investment be made in specialist handling technology, who 
(and when) should training involve, breakage rates and so on. The additional 
effort required to make this data available is minimal, the potential for new 
insight large so yes I would make the data available.
    Rgds
    SdS

    Stephen Stead
    Tel +44 20 8668 3075 
    Mob +44 7802 755 013
    E-mail [email protected]
    LinkedIn Profile https://www.linkedin.com/in/steads/

    -----Original Message-----
    From: Crm-sig [mailto:[email protected]] On Behalf Of Robert 
Sanderson
    Sent: 03 October 2017 16:47
    To: Sledge, Jane <[email protected]>; 'van Leusen, P.M.' 
<[email protected]>; George Bruseker <[email protected]>
    Cc: [email protected]
    Subject: Re: [Crm-sig] NEW ISSUE using CRM


    Dear Jane, Martijn,

    Thank you for the descriptions!  Yes, we also (of course) track the 
locations of things internally … without knowing where things are there would 
be chaos, as you say.
    However, for the purposes of publicly available Linked Open Data 
descriptions of your objects, would you publish descriptions of those moves on 
the web or are they internal only?

    Or to put it another way … would you go to the effort of describing all of 
the move related activities in publicly available CIDOC-CRM?

    Thanks!

    Rob

    On 10/3/17, 7:30 AM, "Crm-sig on behalf of Sledge, Jane" 
<[email protected] on behalf of [email protected]> wrote:

        Between 1999 to 2004, the National Museum of the American Indian moved 
over 850,000 items (archaeological and ethnographical) as well as 100,000 
ethnographic
         images (photographs, glass plate negatives, etc) and archival 
materials from an old museum warehouse in the Bronx to NMAI’s newly built 
Cultural Resources Center in Suitland Maryland.  There was no transfer of 
custody for the movement of these items—it was
         a massive move.  We tracked via a barcoding system items being moved 
for digital imaging, a conservation review and if needed conservation, packing 
into appropriate sized boxes, the placement of the boxes into larger recyclable 
storage units which we called
         kivas, and the movement of the kivas using many trucks to the Cultural 
Resources Center.  We tracked the handlers of the items at every step of the 
way—who lifted the item off the shelf, who imaged the item, who did the 
conservation review, etc.  We also tracked
         the date and time that each of these steps occurred.  We then used the 
same process to unpack, reassess, rehouse, and move the items into their new 
compact storage unit locations.  This move is described at
        http://nmai.si.edu/explore/collections/moving/

        We continue to track all items in our possession, on loan to us, and 
our loans to others with the same level of detail.  We use the location system 
to let visitors
         know what items are on view in our two museum facilities (DC and New 
York) and where else they may be viewed—on loan to other museums.  We know what 
items are in our conservation lab being prepared for exhibit, who moved the 
items there and when they were
         moved.

        Tracking items is critical for accountability.  We have an inventory 
policy that requires us to find and account for 5000 randomly generated 
catalogue numbers
         a year as well as selections of archival items.

        Jane
        ____________________________________________
        Jane Sledge
        Associate Director for Collections and Operations
        Smithsonian
        National Museum of the American Indian


        [email protected] | (202) 633-6789 | (202) 320-1676


        AmericanIndian.si.edu






        From: Crm-sig [mailto:[email protected]]
        On Behalf Of van Leusen, P.M.
        Sent: Tuesday, October 03, 2017 6:44 AM
        To: George Bruseker <[email protected]>
        Cc: [email protected]
        Subject: Re: [Crm-sig] NEW ISSUE using CRM

        Hi Rob,


        I recently dealt with such a move, where some 1200 crates with 
archaeological materials were moved from their assigned shelf positions in 
storage building A, to temporary storage in building B, to their (hopefully) 
final destination to
         new shelf and stack positions in building C. All buildings were part 
of the same National Archaeological Museum of the Sibaritide (in south Italy). 
I was only responsible for part of the latter move (B to C), which required a 
lot of checking of what had been
         put where in building B by the moving company - resulting in one 
'lost' crate that we still have to trace in our records - and some repackaging 
into new crates to allow placement in the new stacks of building C. In both 
building A and C, there was a system
         in place to record temporary removals of crates for specialist 
studies, and for permanently moving finds from one crate to another. Without 
such records chaos would quickly come to reign, as I have seen happen in other 
similar archaeology storage buildings....



        Martijn



        On Tue, Oct 3, 2017 at 12:05 PM, George Bruseker 
<[email protected]> wrote:

        Dear all,

        I don’t know of CRM encoded data with this information, but internal 
movement is traced in almost any major collections management system that I 
know of. The one I am most familiar with is the Emu system owned, now, by 
Axiell. It generates automatic internal
         movement records when registrars authorize the moment around the 
museum who carried it out and why. An example would be that the object is moved 
from storage to conservation lab for work and then back. This happened in the 
Museum of Islamic Art, so I guess
         it would be a use case for art objects. I also seem to recall some 
major projects of moving collections (perhaps of the Field Museum that uses 
Emu), where the work was to get everything from old storage A to new storage b. 
This was crucial provenance information
         because it helps them know why something may have gone missing and or 
what happened to it along the way (how was it packed, in what truck did it go). 
Here again what happened in reality was, I believe, an instance of move and not 
a transfer of custody acquisition
         or any such thing.

        Best,

        George


        > On Oct 2, 2017, at 10:06 PM, Robert Sanderson <[email protected]> 
wrote:
        >
        >
        > Hi Christian-Emil,
        >
        > Could you provide some pointers to data that has Moves?  In our 
experience Move is theoretically important, but we could not find any museum 
that had Move activities that weren’t better described as a Transfer of Custody.
        >
        > In particular:
        > • No history of internal movement between galleries / sites (which 
would not be a change of custody)
        > • No history of the actual movement of the object between 
institutions (e.g. for exhibitions), which would be better as a transfer of 
custody anyway.
        > • Disincentive to record these events or make them public as it 
encourages theft
        > • No real incentive to integrate shipping/tracking and descriptive 
systems
        >
        > We’re very happy to move terms around, but only with good cause :) In 
particular, two institutions that both require the class and have actual data 
to support it… preferably also with the intent to publish that data.
        >
        > Rob
        >
        > On 10/2/17, 11:59 AM, "Christian-Emil Smith Ore" 
<[email protected]> wrote:
        >
        >    Before Getty(?) send out the the profile to all arts museum, maybe 
one could go through the list once more and add a few central classes, move is 
one of them.
        >    Best
        >    Christian-Emil
        >    ________________________________________
        >    From: Crm-sig <[email protected]> on behalf of Robert 
Sanderson <[email protected]>
        >    Sent: 02 October 2017 19:15
        >    To: Dan Matei; martin
        >    Cc: [email protected]
        >    Subject: Re: [Crm-sig] NEW ISSUE using CRM
        >
        >    Hi Dan,
        >
        >    If the terms were moved to an extension, for example moving Site 
to the Archaeological extension, would then they would still be available for 
use but not add to the complexity of the base model.
        >
        >    I think there is some “food” they’re asking for, which is the 
cognitive cost of understanding them and when they should be used.  If that 
cost is high compared to the value (which I argue that it currently is), then 
the result is decreased usage of the
         model.  This “usability” cost is the primary driver for Linked Art – 
if we can do it once for the entire art domain, then every (art) museum or 
gallery has then had that cost pre-paid.
        >
        >    If you have data in real systems that _require_ the classes we’ve 
set aside, we’d very much like to discuss those with you off-list.
        >
        >    Hope that helps!
        >
        >    Rob
        >
        >
        >    On 10/2/17, 7:31 AM, "Crm-sig on behalf of Dan Matei" 
<[email protected] on behalf of
        [email protected]> wrote:
        >
        >        Friends,
        >
        >        On 30 September 2017 at 17:24, martin <[email protected]> 
wrote:
        >
        >
        >
        >        Some classes may be an overspecialization, this has to be 
discussed and respective classes be removed.
        >
        >
        >
        >
        >
        >        Oh no ! Please do not remove anything !
        >
        >
        >        I use almost all the CRM elements, in order not to loose 
nuances in my legacy databases (besides museum and library resources I have to 
model intangible resources - e.g. theatre productions). So I have to add 
elements from other ontologies and even
         – horror
        >         – to invent some more. I trust more the CRM elements than 
those I invent :-)
        >
        >
        >        Moreover, even if some CRM elements are not used too much, 
they do not ask for food. So...
        >
        >
        >        Please...
        >
        >
        >        Dan
        >
        >
        >        PS. You can establish Oskars for the "best" class of the year, 
the most popular property of the year, etc. And the "overspecialised" ones will 
earn no Oskar.
        >
        >
        >
        >
        >
        >
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        -- 
        Dr. Martijn van Leusen
        Chair, Examination Board for Arts, Culture and Archaeology

        Chair, Faculty of Arts Advisory Board for Data Management policies

        Associate professor, Landscape Archaeology

        Groningen Institute of Archaeology / Poststraat 6, 9712ER Groningen 
(Netherlands)

        phone +31 50 3636717

        Academia page <https://rug.academia.edu/MartijnvanLeusen>












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