Hi Rob
There is lots of potential research that could be done if the movement data was 
available from many institutions. For example on average how often do objects 
move, is there a relationship between moves and condition or material, how many 
moves does it take to organise an exhibit, what are the hidden costs of 
conservation interventions, what are the bandwidth requirements of RFID 
installations, should investment be made in specialist handling technology, who 
(and when) should training involve, breakage rates and so on. The additional 
effort required to make this data available is minimal, the potential for new 
insight large so yes I would make the data available.
Rgds
SdS

Stephen Stead
Tel +44 20 8668 3075 
Mob +44 7802 755 013
E-mail [email protected]
LinkedIn Profile https://www.linkedin.com/in/steads/

-----Original Message-----
From: Crm-sig [mailto:[email protected]] On Behalf Of Robert 
Sanderson
Sent: 03 October 2017 16:47
To: Sledge, Jane <[email protected]>; 'van Leusen, P.M.' <[email protected]>; 
George Bruseker <[email protected]>
Cc: [email protected]
Subject: Re: [Crm-sig] NEW ISSUE using CRM


Dear Jane, Martijn,

Thank you for the descriptions!  Yes, we also (of course) track the locations 
of things internally … without knowing where things are there would be chaos, 
as you say.
However, for the purposes of publicly available Linked Open Data descriptions 
of your objects, would you publish descriptions of those moves on the web or 
are they internal only?

Or to put it another way … would you go to the effort of describing all of the 
move related activities in publicly available CIDOC-CRM?

Thanks!

Rob

On 10/3/17, 7:30 AM, "Crm-sig on behalf of Sledge, Jane" 
<[email protected] on behalf of [email protected]> wrote:

    Between 1999 to 2004, the National Museum of the American Indian moved over 
850,000 items (archaeological and ethnographical) as well as 100,000 
ethnographic
     images (photographs, glass plate negatives, etc) and archival materials 
from an old museum warehouse in the Bronx to NMAI’s newly built Cultural 
Resources Center in Suitland Maryland.  There was no transfer of custody for 
the movement of these items—it was
     a massive move.  We tracked via a barcoding system items being moved for 
digital imaging, a conservation review and if needed conservation, packing into 
appropriate sized boxes, the placement of the boxes into larger recyclable 
storage units which we called
     kivas, and the movement of the kivas using many trucks to the Cultural 
Resources Center.  We tracked the handlers of the items at every step of the 
way—who lifted the item off the shelf, who imaged the item, who did the 
conservation review, etc.  We also tracked
     the date and time that each of these steps occurred.  We then used the 
same process to unpack, reassess, rehouse, and move the items into their new 
compact storage unit locations.  This move is described at
    http://nmai.si.edu/explore/collections/moving/

    We continue to track all items in our possession, on loan to us, and our 
loans to others with the same level of detail.  We use the location system to 
let visitors
     know what items are on view in our two museum facilities (DC and New York) 
and where else they may be viewed—on loan to other museums.  We know what items 
are in our conservation lab being prepared for exhibit, who moved the items 
there and when they were
     moved.

    Tracking items is critical for accountability.  We have an inventory policy 
that requires us to find and account for 5000 randomly generated catalogue 
numbers
     a year as well as selections of archival items.

    Jane
    ____________________________________________
    Jane Sledge
    Associate Director for Collections and Operations
    Smithsonian
    National Museum of the American Indian


    [email protected] | (202) 633-6789 | (202) 320-1676


    AmericanIndian.si.edu






    From: Crm-sig [mailto:[email protected]]
    On Behalf Of van Leusen, P.M.
    Sent: Tuesday, October 03, 2017 6:44 AM
    To: George Bruseker <[email protected]>
    Cc: [email protected]
    Subject: Re: [Crm-sig] NEW ISSUE using CRM

    Hi Rob,


    I recently dealt with such a move, where some 1200 crates with 
archaeological materials were moved from their assigned shelf positions in 
storage building A, to temporary storage in building B, to their (hopefully) 
final destination to
     new shelf and stack positions in building C. All buildings were part of 
the same National Archaeological Museum of the Sibaritide (in south Italy). I 
was only responsible for part of the latter move (B to C), which required a lot 
of checking of what had been
     put where in building B by the moving company - resulting in one 'lost' 
crate that we still have to trace in our records - and some repackaging into 
new crates to allow placement in the new stacks of building C. In both building 
A and C, there was a system
     in place to record temporary removals of crates for specialist studies, 
and for permanently moving finds from one crate to another. Without such 
records chaos would quickly come to reign, as I have seen happen in other 
similar archaeology storage buildings....



    Martijn



    On Tue, Oct 3, 2017 at 12:05 PM, George Bruseker <[email protected]> 
wrote:

    Dear all,

    I don’t know of CRM encoded data with this information, but internal 
movement is traced in almost any major collections management system that I 
know of. The one I am most familiar with is the Emu system owned, now, by 
Axiell. It generates automatic internal
     movement records when registrars authorize the moment around the museum 
who carried it out and why. An example would be that the object is moved from 
storage to conservation lab for work and then back. This happened in the Museum 
of Islamic Art, so I guess
     it would be a use case for art objects. I also seem to recall some major 
projects of moving collections (perhaps of the Field Museum that uses Emu), 
where the work was to get everything from old storage A to new storage b. This 
was crucial provenance information
     because it helps them know why something may have gone missing and or what 
happened to it along the way (how was it packed, in what truck did it go). Here 
again what happened in reality was, I believe, an instance of move and not a 
transfer of custody acquisition
     or any such thing.

    Best,

    George


    > On Oct 2, 2017, at 10:06 PM, Robert Sanderson <[email protected]> 
wrote:
    >
    >
    > Hi Christian-Emil,
    >
    > Could you provide some pointers to data that has Moves?  In our 
experience Move is theoretically important, but we could not find any museum 
that had Move activities that weren’t better described as a Transfer of Custody.
    >
    > In particular:
    > • No history of internal movement between galleries / sites (which would 
not be a change of custody)
    > • No history of the actual movement of the object between institutions 
(e.g. for exhibitions), which would be better as a transfer of custody anyway.
    > • Disincentive to record these events or make them public as it 
encourages theft
    > • No real incentive to integrate shipping/tracking and descriptive systems
    >
    > We’re very happy to move terms around, but only with good cause :) In 
particular, two institutions that both require the class and have actual data 
to support it… preferably also with the intent to publish that data.
    >
    > Rob
    >
    > On 10/2/17, 11:59 AM, "Christian-Emil Smith Ore" <[email protected]> 
wrote:
    >
    >    Before Getty(?) send out the the profile to all arts museum, maybe one 
could go through the list once more and add a few central classes, move is one 
of them.
    >    Best
    >    Christian-Emil
    >    ________________________________________
    >    From: Crm-sig <[email protected]> on behalf of Robert 
Sanderson <[email protected]>
    >    Sent: 02 October 2017 19:15
    >    To: Dan Matei; martin
    >    Cc: [email protected]
    >    Subject: Re: [Crm-sig] NEW ISSUE using CRM
    >
    >    Hi Dan,
    >
    >    If the terms were moved to an extension, for example moving Site to 
the Archaeological extension, would then they would still be available for use 
but not add to the complexity of the base model.
    >
    >    I think there is some “food” they’re asking for, which is the 
cognitive cost of understanding them and when they should be used.  If that 
cost is high compared to the value (which I argue that it currently is), then 
the result is decreased usage of the
     model.  This “usability” cost is the primary driver for Linked Art – if we 
can do it once for the entire art domain, then every (art) museum or gallery 
has then had that cost pre-paid.
    >
    >    If you have data in real systems that _require_ the classes we’ve set 
aside, we’d very much like to discuss those with you off-list.
    >
    >    Hope that helps!
    >
    >    Rob
    >
    >
    >    On 10/2/17, 7:31 AM, "Crm-sig on behalf of Dan Matei" 
<[email protected] on behalf of
    [email protected]> wrote:
    >
    >        Friends,
    >
    >        On 30 September 2017 at 17:24, martin <[email protected]> wrote:
    >
    >
    >
    >        Some classes may be an overspecialization, this has to be 
discussed and respective classes be removed.
    >
    >
    >
    >
    >
    >        Oh no ! Please do not remove anything !
    >
    >
    >        I use almost all the CRM elements, in order not to loose nuances 
in my legacy databases (besides museum and library resources I have to model 
intangible resources - e.g. theatre productions). So I have to add elements 
from other ontologies and even
     – horror
    >         – to invent some more. I trust more the CRM elements than those I 
invent :-)
    >
    >
    >        Moreover, even if some CRM elements are not used too much, they do 
not ask for food. So...
    >
    >
    >        Please...
    >
    >
    >        Dan
    >
    >
    >        PS. You can establish Oskars for the "best" class of the year, the 
most popular property of the year, etc. And the "overspecialised" ones will 
earn no Oskar.
    >
    >
    >
    >
    >
    >
    >    _______________________________________________
    >    Crm-sig mailing list
    >    [email protected]
    >    
    http://lists.ics.forth.gr/mailman/listinfo/crm-sig 
<http://lists.ics.forth.gr/mailman/listinfo/crm-sig>
    >
    >
    >
    > _______________________________________________
    > Crm-sig mailing list
    > [email protected]
    > http://lists.ics.forth.gr/mailman/listinfo/crm-sig


    _______________________________________________
    Crm-sig mailing list
    [email protected]
    http://lists.ics.forth.gr/mailman/listinfo/crm-sig








    -- 
    Dr. Martijn van Leusen
    Chair, Examination Board for Arts, Culture and Archaeology

    Chair, Faculty of Arts Advisory Board for Data Management policies

    Associate professor, Landscape Archaeology

    Groningen Institute of Archaeology / Poststraat 6, 9712ER Groningen 
(Netherlands)

    phone +31 50 3636717

    Academia page <https://rug.academia.edu/MartijnvanLeusen>












_______________________________________________
Crm-sig mailing list
[email protected]
http://lists.ics.forth.gr/mailman/listinfo/crm-sig


Reply via email to