Between 1999 to 2004, the National Museum of the American Indian moved over 
850,000 items (archaeological and ethnographical) as well as 100,000 
ethnographic images (photographs, glass plate negatives, etc) and archival 
materials from an old museum warehouse in the Bronx to NMAI’s newly built 
Cultural Resources Center in Suitland Maryland.  There was no transfer of 
custody for the movement of these items—it was a massive move.  We tracked via 
a barcoding system items being moved for digital imaging, a conservation review 
and if needed conservation, packing into appropriate sized boxes, the placement 
of the boxes into larger recyclable storage units which we called kivas, and 
the movement of the kivas using many trucks to the Cultural Resources Center.  
We tracked the handlers of the items at every step of the way—who lifted the 
item off the shelf, who imaged the item, who did the conservation review, etc.  
We also tracked the date and time that each of these steps occurred.  We then 
used the same process to unpack, reassess, rehouse, and move the items into 
their new compact storage unit locations.  This move is described at 
http://nmai.si.edu/explore/collections/moving/
We continue to track all items in our possession, on loan to us, and our loans 
to others with the same level of detail.  We use the location system to let 
visitors know what items are on view in our two museum facilities (DC and New 
York) and where else they may be viewed—on loan to other museums.  We know what 
items are in our conservation lab being prepared for exhibit, who moved the 
items there and when they were moved.

Tracking items is critical for accountability.  We have an inventory policy 
that requires us to find and account for 5000 randomly generated catalogue 
numbers a year as well as selections of archival items.

Jane
____________________________________________
Jane Sledge
Associate Director for Collections and Operations
Smithsonian
National Museum of the American Indian

[email protected] | (202) 633-6789 | (202) 320-1676

AmericanIndian.si.edu




From: Crm-sig [mailto:[email protected]] On Behalf Of van Leusen, 
P.M.
Sent: Tuesday, October 03, 2017 6:44 AM
To: George Bruseker <[email protected]>
Cc: [email protected]
Subject: Re: [Crm-sig] NEW ISSUE using CRM

Hi Rob,

I recently dealt with such a move, where some 1200 crates with archaeological 
materials were moved from their assigned shelf positions in storage building A, 
to temporary storage in building B, to their (hopefully) final destination to 
new shelf and stack positions in building C. All buildings were part of the 
same National Archaeological Museum of the Sibaritide (in south Italy). I was 
only responsible for part of the latter move (B to C), which required a lot of 
checking of what had been put where in building B by the moving company - 
resulting in one 'lost' crate that we still have to trace in our records - and 
some repackaging into new crates to allow placement in the new stacks of 
building C. In both building A and C, there was a system in place to record 
temporary removals of crates for specialist studies, and for permanently moving 
finds from one crate to another. Without such records chaos would quickly come 
to reign, as I have seen happen in other similar archaeology storage 
buildings....

Martijn

On Tue, Oct 3, 2017 at 12:05 PM, George Bruseker 
<[email protected]<mailto:[email protected]>> wrote:
Dear all,

I don’t know of CRM encoded data with this information, but internal movement 
is traced in almost any major collections management system that I know of. The 
one I am most familiar with is the Emu system owned, now, by Axiell. It 
generates automatic internal movement records when registrars authorize the 
moment around the museum who carried it out and why. An example would be that 
the object is moved from storage to conservation lab for work and then back. 
This happened in the Museum of Islamic Art, so I guess it would be a use case 
for art objects. I also seem to recall some major projects of moving 
collections (perhaps of the Field Museum that uses Emu), where the work was to 
get everything from old storage A to new storage b. This was crucial provenance 
information because it helps them know why something may have gone missing and 
or what happened to it along the way (how was it packed, in what truck did it 
go). Here again what happened in reality was, I believe, an instance of move 
and not a transfer of custody acquisition or any such thing.

Best,

George


> On Oct 2, 2017, at 10:06 PM, Robert Sanderson 
> <[email protected]<mailto:[email protected]>> wrote:
>
>
> Hi Christian-Emil,
>
> Could you provide some pointers to data that has Moves?  In our experience 
> Move is theoretically important, but we could not find any museum that had 
> Move activities that weren’t better described as a Transfer of Custody.
>
> In particular:
> • No history of internal movement between galleries / sites (which would not 
> be a change of custody)
> • No history of the actual movement of the object between institutions (e.g. 
> for exhibitions), which would be better as a transfer of custody anyway.
> • Disincentive to record these events or make them public as it encourages 
> theft
> • No real incentive to integrate shipping/tracking and descriptive systems
>
> We’re very happy to move terms around, but only with good cause :) In 
> particular, two institutions that both require the class and have actual data 
> to support it… preferably also with the intent to publish that data.
>
> Rob
>
> On 10/2/17, 11:59 AM, "Christian-Emil Smith Ore" 
> <[email protected]<mailto:[email protected]>> wrote:
>
>    Before Getty(?) send out the the profile to all arts museum, maybe one 
> could go through the list once more and add a few central classes, move is 
> one of them.
>    Best
>    Christian-Emil
>    ________________________________________
>    From: Crm-sig 
> <[email protected]<mailto:[email protected]>> on behalf 
> of Robert Sanderson <[email protected]<mailto:[email protected]>>
>    Sent: 02 October 2017 19:15
>    To: Dan Matei; martin
>    Cc: [email protected]<mailto:[email protected]>
>    Subject: Re: [Crm-sig] NEW ISSUE using CRM
>
>    Hi Dan,
>
>    If the terms were moved to an extension, for example moving Site to the 
> Archaeological extension, would then they would still be available for use 
> but not add to the complexity of the base model.
>
>    I think there is some “food” they’re asking for, which is the cognitive 
> cost of understanding them and when they should be used.  If that cost is 
> high compared to the value (which I argue that it currently is), then the 
> result is decreased usage of the model.  This “usability” cost is the primary 
> driver for Linked Art – if we can do it once for the entire art domain, then 
> every (art) museum or gallery has then had that cost pre-paid.
>
>    If you have data in real systems that _require_ the classes we’ve set 
> aside, we’d very much like to discuss those with you off-list.
>
>    Hope that helps!
>
>    Rob
>
>
>    On 10/2/17, 7:31 AM, "Crm-sig on behalf of Dan Matei" 
> <[email protected]<mailto:[email protected]> on behalf 
> of [email protected]<mailto:[email protected]>> wrote:
>
>        Friends,
>
>        On 30 September 2017 at 17:24, martin 
> <[email protected]<mailto:[email protected]>> wrote:
>
>
>
>        Some classes may be an overspecialization, this has to be discussed 
> and respective classes be removed.
>
>
>
>
>
>        Oh no ! Please do not remove anything !
>
>
>        I use almost all the CRM elements, in order not to loose nuances in my 
> legacy databases (besides museum and library resources I have to model 
> intangible resources - e.g. theatre productions). So I have to add elements 
> from other ontologies and even – horror
>         – to invent some more. I trust more the CRM elements than those I 
> invent :-)
>
>
>        Moreover, even if some CRM elements are not used too much, they do not 
> ask for food. So...
>
>
>        Please...
>
>
>        Dan
>
>
>        PS. You can establish Oskars for the "best" class of the year, the 
> most popular property of the year, etc. And the "overspecialised" ones will 
> earn no Oskar.
>
>
>
>
>
>
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>
>
>
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--
Dr. Martijn van Leusen
Chair, Examination Board for Arts, Culture and Archaeology
Chair, Faculty of Arts Advisory Board for Data Management policies
Associate professor, Landscape Archaeology
Groningen Institute of Archaeology / Poststraat 6, 9712ER Groningen 
(Netherlands)
phone +31 50 3636717
Academia page<https://rug.academia.edu/MartijnvanLeusen>

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