Dear all,

I don’t know of CRM encoded data with this information, but internal movement 
is traced in almost any major collections management system that I know of. The 
one I am most familiar with is the Emu system owned, now, by Axiell. It 
generates automatic internal movement records when registrars authorize the 
moment around the museum who carried it out and why. An example would be that 
the object is moved from storage to conservation lab for work and then back. 
This happened in the Museum of Islamic Art, so I guess it would be a use case 
for art objects. I also seem to recall some major projects of moving 
collections (perhaps of the Field Museum that uses Emu), where the work was to 
get everything from old storage A to new storage b. This was crucial provenance 
information because it helps them know why something may have gone missing and 
or what happened to it along the way (how was it packed, in what truck did it 
go). Here again what happened in reality was, I believe, an instance of move 
and not a transfer of custody acquisition or any such thing. 

Best,

George


> On Oct 2, 2017, at 10:06 PM, Robert Sanderson <[email protected]> wrote:
> 
> 
> Hi Christian-Emil,
> 
> Could you provide some pointers to data that has Moves?  In our experience 
> Move is theoretically important, but we could not find any museum that had 
> Move activities that weren’t better described as a Transfer of Custody.
> 
> In particular:
> • No history of internal movement between galleries / sites (which would not 
> be a change of custody)
> • No history of the actual movement of the object between institutions (e.g. 
> for exhibitions), which would be better as a transfer of custody anyway.
> • Disincentive to record these events or make them public as it encourages 
> theft
> • No real incentive to integrate shipping/tracking and descriptive systems
> 
> We’re very happy to move terms around, but only with good cause :) In 
> particular, two institutions that both require the class and have actual data 
> to support it… preferably also with the intent to publish that data.
> 
> Rob
> 
> On 10/2/17, 11:59 AM, "Christian-Emil Smith Ore" <[email protected]> wrote:
> 
>    Before Getty(?) send out the the profile to all arts museum, maybe one 
> could go through the list once more and add a few central classes, move is 
> one of them.
>    Best
>    Christian-Emil
>    ________________________________________
>    From: Crm-sig <[email protected]> on behalf of Robert Sanderson 
> <[email protected]>
>    Sent: 02 October 2017 19:15
>    To: Dan Matei; martin
>    Cc: [email protected]
>    Subject: Re: [Crm-sig] NEW ISSUE using CRM
> 
>    Hi Dan,
> 
>    If the terms were moved to an extension, for example moving Site to the 
> Archaeological extension, would then they would still be available for use 
> but not add to the complexity of the base model.
> 
>    I think there is some “food” they’re asking for, which is the cognitive 
> cost of understanding them and when they should be used.  If that cost is 
> high compared to the value (which I argue that it currently is), then the 
> result is decreased usage of the model.  This “usability” cost is the primary 
> driver for Linked Art – if we can do it once for the entire art domain, then 
> every (art) museum or gallery has then had that cost pre-paid.
> 
>    If you have data in real systems that _require_ the classes we’ve set 
> aside, we’d very much like to discuss those with you off-list.
> 
>    Hope that helps!
> 
>    Rob
> 
> 
>    On 10/2/17, 7:31 AM, "Crm-sig on behalf of Dan Matei" 
> <[email protected] on behalf of [email protected]> wrote:
> 
>        Friends,
> 
>        On 30 September 2017 at 17:24, martin <[email protected]> wrote:
> 
> 
> 
>        Some classes may be an overspecialization, this has to be discussed 
> and respective classes be removed.
> 
> 
> 
> 
> 
>        Oh no ! Please do not remove anything !
> 
> 
>        I use almost all the CRM elements, in order not to loose nuances in my 
> legacy databases (besides museum and library resources I have to model 
> intangible resources - e.g. theatre productions). So I have to add elements 
> from other ontologies and even – horror
>         – to invent some more. I trust more the CRM elements than those I 
> invent :-)
> 
> 
>        Moreover, even if some CRM elements are not used too much, they do not 
> ask for food. So...
> 
> 
>        Please...
> 
> 
>        Dan
> 
> 
>        PS. You can establish Oskars for the "best" class of the year, the 
> most popular property of the year, etc. And the "overspecialised" ones will 
> earn no Oskar.
> 
> 
> 
> 
> 
> 
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