darkta...@911networks.com schrieb am 20.02.2016 um 21:09:
On Sat, 20 Feb 2016 20:53:17 +0100
Tobias Ellinghaus <h...@gmx.de> wrote:
Am Samstag, 20. Februar 2016, 09:44:55 schrieb
darkta...@911networks.com:
On Sun, 21 Feb 2016 04:40:12 +1300
johannes hanika <hana...@gmail.com> wrote:
darkroom mode by itself is in general just a preview and we try to
make it as precise as possible. but if you're using high quality
resampling during export, it'll run a completely different
pipeline.
Sorry to butt in, but...
Isn't the high quality resampling the default? So shouldn't the
export follow the darkroom pipeline?
During export we can spend more time than while processing a
darkroom result on the fly. So we default to get better results. If
it was possible to do that in darkroom we would do it, too, but it
isn't. Thus it is different. Changing that would mean preferring
similar results over best possible quality. Which sounds like a bad
choice.
Still on the export and the high quality sampling. How does this
affects the sharpening on the export?
Is it possible to add some extra sharpening and contrast on the
export when it's for print?
another thought:
on a standard (not high dpi) monitor pixels are 3 times the distance
from one to another than on standard print output.
So Johannes is right: monitor is a preview.
And if you go to zoom 33% it's still a preview:
You have the correct size but you miss 2/3 of the pixels information.
So it _IS_ a problem to give correct (= equal) results on the screen
compared to the print on paper.
Same thing if you work on standard monitor and the result is viewed on a
high dpi screen - but also the other way round.
--
regards
Bernhard
http://www.bilddateien.de
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