Thank you all for contributions.

While saying "keyboard interface" I don%u2019t mean the keys that
are used to PLAY the keyboard. There are two interfaces on the
keyboard. One is the keys for playing the instrument which have been
stable for centuries (except for some experimental examples such as
Janko Keyboard), and the other is the buttons for shaping or
modifying the sound. My interest is on the second one. It has an
important role on the interaction; interface gives the performer the
ability of a wide range of modifications and alterations on the
sound.

Also I didn't mean that a small digital keyboard is superior to an
orchestra. As a classical guitar virtuoso, I am sorry to say that
(unfortunately) keyboard has been taken over the place of an
orchestra. Although any synthetic sound produced by any means of
electronic or digital technology (even John Williams' keyboard) can
not be as humane, artistic and creative as an acoustic instruments
sounding (unless it is used in the way that Edgard Varese (1883-1965
for example "Integrales") or Karlheinz Stockhausen (1928-2007 for
example Klavierstucke) composed music. They are even very fruitless
when they are used to imitate "real" instruments such as violin or
piano. But they can be more capable; I mean you can increase the
speed easily, add sounds later, use midi and samples. Here my focus
is this interface which you can shape the sound. This ability of
digital keyboards has made them take over an orchestra
(unfortunately), and here designer %u2013 engineer is the key person
in my opinion.

Alkin KORKMAZ
Izmir / Turkey



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Posted from the new ixda.org
http://www.ixda.org/discuss?post=36162


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