If you read the paper they are open for that you can not prove
nonexistance of something scientifically.
So there can be outliers where detections is possible.
Also they used more than one setup but these are not specified ?
Also some studio monitors where involved in some unspecified cases ?

This paper is most interesting if you see what they tried to do, they
used a range of typical audiophile stereos and a bunch of mostly
typical audiphiles.

So they build a very strong case for that the normal situation is that
sligthly worse than CD quality is tranparent to most audiphiles in most
cases especially at normal listening levels.
The oposite is a rare exception but not ruled out as completely
impossible.

Their other conclusion is just as interesting, that most of the dvd-a
and sacd they used had very good sq.
Good masters .

If you specifically wants to find the  rare exceptions one can set it
up like a challange.
Where interested parties can bring in equipment they think is capable.
A good modern fully digital recording that stand a chance for detection
I don't think remasters of 30 yo stuff cuts it ( not DSD either )..
Listener(s) they believe are qualified.

Failing on your own terms is much more convincing .

And you most likely will find exceptions, people that with some special
recordings on very good systems that can hear this.
But it can not be expanded to a general case where most audiophiles can
safely assume that they are this
Special case.

But if it makes you feel better you can secretly assume that you are
that exception, I wont tell ;)

But hey this is not what hirez audio is hyped up to be.
The labels make the hype becomme true by providing better masters.

An another note what is the "stuart paper" they challange is it an AES
paper by Bob Stuart of Meridian perhaps ? I once had a white paper from
Meridian where Bob stated that 20 bit 55 kHz sample rate was 
the ultimate limit .
And they did sell a lot of dvda players ( can you see my sig ).


-- 
Mnyb

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