I actually use this method on all my breaks and a lot of other stuff i compress. However,I use a slightly different approach. I tap my Mackie's inserts and route them to the compressor. The I run another channel of the same break out of my soudcard. I use the Mackie's fadrs to adjust the mix of the compressed and uncompressed signal. Usually I favor the highs and mid-highs of the uncompressed signal to bring out the attack. werks for me.
> >Read a great little tip in Future Music's review of some compressor or >another... > >Basically, when compressing, the battle is to end up with something that is >punchy (if that's what you're after) but that hasn't lost any transient >details and depth... > >The Compressor they were reviewing (forget which one) had a button to merge >the original signal with the compressed signal to give a kind of hybrid >compression method.. > >Obviously you can do this with any compressor by simply using it as a send >effect... Does anyone already do this ? It sounds like a cool idea.... >Probably takes some practice to get good results though.. > >Nick > >--- >Drum&Bass Arena Producers Discussion List http://www.breakbeat.co.uk >You are currently subscribed to dnb-prod as: [EMAIL PROTECTED] >To unsubscribe send a blank email to >[EMAIL PROTECTED] _________________________________________________________________ Chat with friends online, try MSN Messenger: http://messenger.msn.com --- Drum&Bass Arena Producers Discussion List http://www.breakbeat.co.uk You are currently subscribed to dnb-prod as: [email protected] To unsubscribe send a blank email to [EMAIL PROTECTED]
