otherwise known as a "line channel," but I will have to try that with a compressor.
Good tip my friend...

lars :)

"Hugh G. Blaze" wrote:

> I actually use this method on all my breaks and a lot of other stuff i
> compress. However,I use a slightly different approach. I tap my Mackie's
> inserts and route them to the compressor. The I run another channel of the
> same break out of my soudcard. I use the Mackie's fadrs to adjust the mix of
> the compressed and uncompressed signal. Usually I favor the highs and
> mid-highs of the uncompressed signal to bring out the attack. werks for me.
>
> >
> >Read a great little tip in Future Music's review of some compressor or
> >another...
> >
> >Basically, when compressing, the battle is to end up with something that is
> >punchy (if that's what you're after) but that hasn't lost any transient
> >details and depth...
> >
> >The Compressor they were reviewing (forget which one) had a button to merge
> >the original signal with the compressed signal to give a kind of hybrid
> >compression method..
> >
> >Obviously you can do this with any compressor by simply using it as a send
> >effect... Does anyone already do this ? It sounds like a cool idea....
> >Probably takes some practice to get good results though..
> >
> >Nick
> >
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--
+++pleiadian aka larzmarz+++
http://www.mp3.com/djpleiadian



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