The pulse is a modulation waveform.  At say 1 GHz the signal source is gated
on and off for a duration of 1 us at a 1 kHz rate.  The pulse rise/fall-time
is limited by the rate of change associated with the microwave frequency.  I
think understand what you are saying about the transmit antenna, that if you
could switch it off the signal source then it wouldn't load the chamber "Q."
I don't think that is an issue in this case, but it is an interesting idea
for a low duty cycle modulation like this.  I really don't have a feel for
what kind of load an unterminated or shorted horn would present to the
field.  Do you? 


> From: [email protected]
> Reply-To: [email protected]
> Date: Tue, 29 Jul 2003 09:49:12 -0600
> To: <[email protected]>, <[email protected]>
> Subject: RE: pulse modulation in reverb chambers
> 
> 
> Ken,
> 
> do you mean you pulse an antenna with a square wave at some specific
> repetition rate? If so, The pulse rise time and duration   can be selected to
> contain the frequency components you want. I think that if the pulse remains
> on two long, the generator will act as a 50 ohm load and absorb energy from
> the chamber. Switching the generator from a 50 ohm state to a high-Z or low-Z
> state could be beneficial.
> 
> Dave Cuthbert
> Micron Technology
> 
> -----Original Message-----
> From: John Woodgate [mailto:[email protected]]
> Sent: Sunday, July 27, 2003 11:53 AM
> To: [email protected]
> Subject: Re: pulse modulation in reverb chambers
> 
> 
> 
> I read in !emc-pstc that Ken Javor <[email protected]> wrote
> (in <bb49768d.3717%[email protected]>) about 'pulse modulation
> in reverb chambers' on Sun, 27 Jul 2003:
>> So if I am worried whether the 1 us pulse width can be sustained, and I
>> don't know how to determine it analytically, my plan is as follows:
>> 
>> I put a wire probe in the room, run it to a spectrum analyzer tuned to
>> the transmit frequency, put the analyzer in zero span mode with a 1 or 3
>> MHz bandwidth and look at the modulation waveform.  If it is
>> significantly longer than 1 us, I know my constructive interference path
>> delays are smearing the modulation away.
> 
> I originally thought you wanted to establish a reverberant field with a
> 1 us pulse. Now I'm not so sure.
> 
> By 'modulation', you mean the envelope of the 1 us pulse? Isn't the idea
> of a reverberation chamber that once it is excited the energy takes a
> long time to die away? That means that the original pulse will be
> s t r e t c h e d, dying away exponentially if the room is a good one. A
> too-short pule would almost certainly produce a delay that was not
> exponential.
> 
> You can only 'sustain' the 1 us pulse if your receiver is in the 'direct
> field' of the antenna, i.e. the field strength due to the direct
> propagation path from sending antenna to receiving antenna is at least 3
> dB above the combined field strength due to all indirect paths. You can
> easily see this if you consider just a few simple specular reflections,
> which appear at the receiver as a series of overlapping (since their
> path lengths are less than 300 m) 1 us pulses of varying level.
> -- 
> Regards, John Woodgate, OOO - Own Opinions Only. http://www.jmwa.demon.co.uk
> Interested in professional sound reinforcement and distribution? Then go to
> http://www.isce.org.uk
> PLEASE do NOT copy news posts to me by E-MAIL!
> 
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