>-----Original Message-----
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On Behalf Of Skip
>Except the larger sensor size of the newly announced Kodak and Canon bodies
>would be less sensitive, and therefore more compatible with the same lenses
>as film cameras?  I'm trying to follow and expand on your logic, here.  I'm
>not sure I get it.

The contrary is the case. When you go further away from the middle of the
sensor the angle changes (not perpenticular anymore). How much the angle
changes depends on the lens design as well as the focal length of the lens.
The final effect depends on the angle and the depth of the detector element.
Graphically, it's the best if you think of a detector element as bin with
the actual sensor at the bottom. If the light comes right from top it will
hit the detector. If it comes from a slight angle only parts of the light
hits the bottom. And if the angle is too big no light hits the bottom. The
size of the bin determins the resolution. If the bin can hold upto 256
elements (produced by the photons) then the resolution is 8 bits (2^8=256).
If the bin can hold 4096 elements then the resolution is 12 bits. If the bin
overflows then the elements spill over to the neighbor bins which is called
blooming. The term anti-blooming, introduced after CCDs appeared, is the
technology to prevent that spill over. Dark noise is a measure of the number
of elements per second that end up in the bins although there was no light
that could have produced them. Read-out noise etc. is the number elements
introduced while the elements are read out, etc. The ratio of the
theoretical resolution and all the different noise determins the SNR =
Signal to Noise Ratio. The SNR is one of the most important characteristics
of a sensor.

Hope that helped a bit to understand often used term a bit better.

Robert

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