On Tue, Mar 4, 2014 at 3:11 AM, Kim Jones <[email protected]> wrote:

>
> On 4 Mar 2014, at 9:48 am, LizR <[email protected]> wrote:
>
> Without listening to that (since I'm at work) I am under the impression
> that "Carmina Burana" is, at the beginning at least, 4 beats to the bar,
> not 3?
>
>
>
> Maybe I missed the point. I am not "musical" (except that I like listening
> to music).
>
>
>
> You would have to be halfway musical to even pick up on that! Indeed "O
> Fortuna" (the first song of Orff's "Carmina Burana") is cast in 3 beats to
> the bar at the opening, certainly when it gets fully under way...
>

Yes, for these beginning measures of "O Fortuna"; but Orff was like
Stravinsky and their successors with playing around with meter, especially
when you look at the whole work: meter can and does change at any moment.
Not least because of the conversational/prose character of the texts as
basis. This plus frequent caesura use makes it so "prose-like, naturally
conversational" and the rhythmic complexity (frequent changes in meter of
two, threes, fives, fours, sevens) under the hood is not simple to discern,
without a deeper look. Fun stuff :-) PGC


>
> I just checked it on the full orchestral score. This is interesting
> because the "threeness" of this huge opening is not explicit, which is what
> I was saying earlier. "Beat" in music is simple arithmatic, yet even with
> such simple resources as ordinal numbers associating with each other
> (somehow!) to produce these qualia that gives me an aesthetic impression of
> circularity is already incredibly advanced and difficult to describe. Tis
> the magic of the numbers.
>
> Music IS numbers, but the qualia it induces in my consciousness are
> something else. If I understand that part of comp correctly.
>
> K
>
>
>
>
>
>
>
> --
> You received this message because you are subscribed to the Google Groups
> "Everything List" group.
> To unsubscribe from this group and stop receiving emails from it, send an
> email to [email protected].
> To post to this group, send email to [email protected].
> Visit this group at http://groups.google.com/group/everything-list.
> For more options, visit https://groups.google.com/groups/opt_out.
>
>
> ============================
>
> Kim Jones B.Mus.GDTL
>
> Email:     [email protected]
> Mobile:   0450 963 719
> Landline: 02 9389 4239
> Web:       http://www.eportfolio.kmjcommp.com
>
> "Never let your schooling get in the way of your education" - Mark Twain
>
>
>
>
>  --
> You received this message because you are subscribed to the Google Groups
> "Everything List" group.
> To unsubscribe from this group and stop receiving emails from it, send an
> email to [email protected].
> To post to this group, send email to [email protected].
> Visit this group at http://groups.google.com/group/everything-list.
> For more options, visit https://groups.google.com/groups/opt_out.
>

-- 
You received this message because you are subscribed to the Google Groups 
"Everything List" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to [email protected].
To post to this group, send email to [email protected].
Visit this group at http://groups.google.com/group/everything-list.
For more options, visit https://groups.google.com/groups/opt_out.

Reply via email to