--- In [email protected], "mrfishey2001" 
<[EMAIL PROTECTED]> wrote:
> --- In [email protected], "Patrick Gillam" <jpgillam@> 
> wrote:
>>  
>> "Amen.
>>  
>> I've observed two extremes in art; one you might call 
>> the "pure beauty" school and one you might call the 
>> "cathartic" school. The Pure Beauty school is like Monet's 
>> water lilies -- very pretty. The Cathartic school may or 
>> may not have the obvious beauty of the Beauty school, 
>> but whatever it has, it juxtaposes it with pain, and may 
>> even heal the pain in the process.
>>  
>> People who've visited the University of Iowa Museum 
>> of Art may have seen the Nazi Drawings of Mauricio 
>> Lasansky. That's an example of the Cathartic school.
>> Work that's horrible to contemplate, but too compelling
>> not to contemplate.
>>  
>> I thought my 'ru buddy Pam would acknowledge the 
>> Cathartic school becaue it operates somewhat the way 
>> transcending releases stress, but she was adamant that 
>> artists do people a disservice to be anything but positive. 
>> It was the classic "no negativity" TMO position lamented 
>> here on occasion.
>>  
>> But that was 20 years ago. I don't know what her position 
>> might be today."
> 
> Marvelous post Patrick. Heartfelt and genuine. Lasansky's 
> art is indeed painfully clear and uncompromisingly stark. 
> Only more tragic is its undeserved anonymity.  
> 
> I'm reminded of a quote from the great American painter 
> Agnes Martin who observed: "All artwork is about beauty: 
> all positive work represents it and celebrates it. All 
> negative art protests the lack of beauty in our lives."

I think the issue has more to do with "flow" than
with subject matter. Great art represents a *journey*;
it *takes* you somewhere. Sometimes it can take you
from darkness and lead you to light; other times it
can start with light and lead you to greater light.

But the bottom line for me is where it *leaves* you 
at the end of the journey. If it shows you darkness
and reveals to you a path to light, that's one thing.
If it shows you darkness and *leaves* you there,
that's another. Much of what is considered good art
these days tends to fall into the latter category.








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