--- In [email protected], TurquoiseB <[EMAIL PROTECTED]> 
wrote:
>
> --- In [email protected], "authfriend" <jstein@> wrote:
> > --- In [email protected], "jim_flanegin" <jflanegi@> 
> > wrote:
> > <snip>
> > > These have always fascinated me because of their size, perfect 
> > > design and complexity. The artist-engineer piece of my mind 
cannot 
> > > concieve how these large designs can be made so quickly,  
> > > apparently at night, with perfect proportions, by human 
beings. 
> > > Astonishing. A true mystery.
> > 
> > I just watched this one on YouTube:
> > 
> > http://tinyurl.com/s67q8
> > 
> > They've gotten *way* more elaborate and refined since
> > the last time I paid any attention to them.  Some of
> > the ones in this video are unbelievably complex, and
> > quite stunningly beautiful.
> > 
> > Even if they *are* made by humans--and like Jim, I
> > have a hard time understanding how that can be the
> > case (although not from his engineering perspective)--
> > they're absolutely remarkable, truly a new art form.
> 
> Speaking of new art forms, several years ago
> I was in an arty French village on the Riviera, 
> and went into the tiny Picasso museum that they
> have there. It's more of a "He lived here once" 
> museum than anything else, and doesn't have that 
> much original art, but there was a photograph 
> there that just charmed my socks off. 
> 
> The photographer had taken a portrait of the 
> artist but using a long -- several seconds long 
> -- exposure. While the shutter was open, Picasso 
> had created a drawing of a bull in mid air, using 
> a small penlight. The drawing was perfect.


That's actually a famous photograph...I wish I could remember who 
the photographer was...


> 
> The following sites, for which I must thank my 
> brother, display the work of young Japanese 
> artists who create this same type of art, but 
> in motion. Using nothing more than a *series* 
> of still photographs created the same way, 
> with a long exposure, they are able to draw 
> *animated* figures in mid air, with using
> colored flashlights. 
> 
> I really *love* this stuff. Imagine the sense
> of *space* that the artists have to have to draw
> not only a single figure in mid air, but to draw
> a sequence of those figures in mid air, to give
> the impression of an animal walking, or a bird
> flying. I also love this stuff because it reminds
> me of a Japanese form of puppetry called bunraku.
> In bunraku, the puppets are very complex, often
> requiring the presence of three puppeteers per
> character to control them. The puppeteers are 
> onstage at all times, dressed head to toe in
> black. What makes it an artform is that after
> about five minutes you no longer see them on
> the stage. All you see is the puppets.
> 
> http://dslrblog.com/blog/chris-garrett/animated-long-exposure-
photographs/
> 
> http://tochka.jp/pikapika/2006/06/report_pikapika_in_kitijoji.html
>






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