--- In [email protected], TurquoiseB <[EMAIL PROTECTED]> wrote:
>
> > > I'm not sure how any
> > > composer could write any music down without first
> > > hearing it in his/her head, any more than a writer
> > > writes without first hearing the words in his/her
> > > head.  ...
> > 
> > Just like writers have different ways of writing so 
> > do musicians have different ways of composing.  
> 
> Yeah, what he said. Just FYI, writers who have to 
> hear the words in their head before writing them 
> down are the counterpart of "mouth readers" when 
> reading. Slows you down and is definitely not 
> necessary, except maybe for poetry and to get a 
> strong feel for dialogue. Sometimes the process
> is concept --> language, without an intervening
> stop at speech.
> 
> I know, I know...somebody's going to come running
> in and say something like, "...also without a stop
> at thinking," which is possible, but not my point. :-)
> I'm just making the point that the idea of the usual
> progression as concept --> "hearing" it in your 
> head --> paper is not always true. Many writers 
> skip the middle step entirely.
>

PHysiologically speaking, I'm willing to bet that EEG and brain imaging of 
people writing/
speaking/composing will ALWAYS show that intermediate step even if it never 
gets noticed 
by the person doing it.




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