At 10:34 PM 6/30/02 -0400, you wrote:
>Tap one hand on syllables 1, 2, 4, and 6; tap the other hand on syllables 
>1, 5, and 6. Instant 3 against 4.

"Pass the goddamn butter" is irregular the way I say it (quarter-eighth
triplet, two quarters, two eighths) unless you add a rest at the end and
flatten it all out. Then I can hear the 1-2-4-6 syllable part as the 4
side, but did you mean 1-3-6 for the three side? That would be 4 against 3
instead of 3 against 4, but I'll take it.

In any case, whatever this is strikes me as a heck of a lot of hard work,
versus just learning 3 against 4 by itself. I had to sketch this sentence
on paper a few times. Kids get this? I taught elementary school music for
six years and never used such stuff. But I had the luxury of groups of kids
to play with, so we could get group rhythms going and trading with some ease.

I may have some physical anomalies, though, that make this illogical for
me. I couldn't swim (until my wife came up with a method that worked after
I was 40 years old), or ever play parallel scales or arpeggios in two hands
at any speed (I failed that 2/5 of my piano exam three years running before
I had to give up ever getting my degree ...  that was in 1970, well before
US disability laws would have made the denial illegal).

D





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