> The problem over here, in Italy, is that (since Napoleons domination on > Italy) actually, the sol-fa names are used to determine the absolute > pitches and, actually (since Napoleon), there's no use of letter names > for pitches and there's no application of relative or movable do system > in Italian music schools
I'm sorry, perhaps I'm missing this, but if letter names are no longer used, and only solfege names are used, what's the difference between this and fixed-doh? As I understand it, the whole point of fixed-doh is that pitches retain their solfege names, regardless of the tonic. _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
