>James E. Bailey wrote: > >>>The problem over here, in Italy, is that (since Napoleons domination on >>>Italy) actually, the sol-fa names are used to determine the absolute >>>pitches and, actually (since Napoleon), there's no use of letter names >>>for pitches and there's no application of relative or movable do system >>>in Italian music schools >> >> >> I'm sorry, perhaps I'm missing this, but if letter names are no longer used, >> and only solfege names are used, what's the difference between this and >> fixed-doh? As I understand it, the whole point of fixed-doh is that pitches >> retain their solfege names, regardless of the tonic. >> > >I believe Giovanni is saying that Italy uses the fixed Do system, rather >than the movable Do as originally intended by Guido. > >-- >David H. Bailey >[EMAIL PROTECTED]
That is, David, exactly what I was saying Giovanni Andreani _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
