Sure I'll take it!! :-) But you can razz me too
when I am completely out in left field!!
Thanks Owain :-)
-K
Can I just congratulate you on that imaginative workaround?! :)
[EMAIL PROTECTED] wrote:
Hi Dean,
Put two sixteenth notes into a measure. Go to
the tuplet tool, click on the first tuplet.
Select 2 sixteenths in the space of 16 16ths
from the drop down menus at the top of the
Tuplet Definition window. Right under that,
where it says appearance set Number to Nothing
and shape to nothing using the drop down menus.
Then go to the speedy note entry tool, use the
forward slash key (the key you use for question
marks) to join the beams together and delete
any rests that may have come in that you don't
need.
Finally, go to Special Tools, notehead tool and
change the noteheads to 1/2 note noteheads.
You can do this with 32nd notes too the same
way by putting two 32nd notes into a measure
and selecting 2 32nd notes in the space of 32
32nd notes in the tuplet tool...etc..
Best,
Karen
A couple of days ago, my daughter asked me to
transpose a Schubert lied she is preparing for
her senior recital. After determining it
wouldn't scan into my Macfin 04, I simply
input it into a new file via the various
methods at hand. Now the gist of my question:
The accompaniment's first measure contained a
measure of 4 16th note groups in Common time.
All the measures thereafter used the shortcut
of 2 halfnote noteheads occurring twice, of
course, beamed with 16th (or 32nd, I can't
remember) beams. I was short on time for
research, so I just plugged in all the 16th
notes in the song rather than mess with the
shortcut method. How does one come up with the
shortcut notation in such a case?
Dean
Para m�, la m�sica es la respiraci�n de la vida y de Dios.
Per me, la musica � l'alito di vita e del Dio.
Pour moi, la musique est le souffle de la vie et de Dieu.
F�r mich ist Musik der Atem des Lebens und des Gottes.
Dean M. Estabrook
Director of Music
St. Andrew Presbyterian Church
Yuba City, CA
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