In message <[EMAIL PROTECTED]> David W. Fenton writes: >On the other hand, notating it as a full measure with a rest would >tend to obscure the "upbeatness" of the entire measure.
Do you have a view on Elgar's "Cockaigne" overture, the first bar of which starts with three quarter rests? -- Ken Moore [EMAIL PROTECTED] Web site: http://www.mooremusic.org.uk/ I reject emails > 100k automatically: warn me beforehand if you want to send one _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
