On 09.05.2006 Darcy James Argue wrote:
Please forgive my ignorance, as I am certain you have excellent reasons for doing
what you did -- but I must admit, I have never seen this notation before
(especially your elegant solution to m.14). I'm intrigued by your decision-making
process. If you don't mind enlightening me: why couldn't the displaced notes in mm.
9, 14, & 15 have shared a stem with the upper or lower note of the same
duration?
Because the manuscript doesn't do that.
It's the same kind of notation as is used in any better critical edition
of the Bach unaccompanied violin sonatas/partitas, it's definitely not
my invention.
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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