On Mar 24, 2007, at 9:45 PM, Darcy James Argue wrote:
A ways back, there was some discussion of how to handle voiced parts (i.e., Horn 1/2 on the same score staff) when you have a cue note in the same measure as real notes. Perhaps somebody could kindly remind me what the workaround for this is?
Sorry I don't remember the discussion, but it would surprise me to have cues on a score. Normally, that sort of thing is just on the extracted instrument parts, which of course avoids the whole problem, assuming you are preparing separate Horn 1 and Horn 2 parts.
But maybe I don't understand the problem. Even with two notes on the same staff, what is the issue if there is a cue note in another layer? Collisions? Octave changes to avoid collisions or crowding are common in the cues I see in orchestral parts.
Christopher _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
