In a message dated 7/27/2010 10:00:45 A.M. Pacific Daylight Time, 
_jphill...@makemusic.com_ (mailto:jphill...@makemusic.com)  writes:

That was  a change for easier full staff selection when dragging  staves...


Speaking of which (smile), can anybody here, or a MakeMusic rep monitoring  
this list, let me know (privately if you prefer) when or if Finale will  
make the big (and, I understand, difficult) leap to Unicode? Unless that 
happens  soon, we'll have to change over production for our forthcoming college 
music  theory textbook, Understanding Tonal Music, to Sibelius, which 
accommodates  Unicode now. The TrueType versions of our ChordSymbol and 
JazzSymbol 
fonts  afford distinct improvements over existing options in Finale, but 
with the  native Unicode fonts, usable only in Sibelius, the time savings are  
enormous. This will greatly disadvantage Finale, since tens of thousands of  
music students a year will use Sibelius instead of Finale to complete  
their nightly homework assignments.
 
Ayotte Custom Musical Engravings, established by my colleague Benjamin  
Ayotte with my help, will also be forced to switch over to Sibelius. We'd both  
rather stay with Finale, but Unicode entry for chord symbols using our 
fonts is  so hugely advantageous that we'll have little choice.
 
For lead sheets, by the way, Benjamin will help me develop a handwritten  
version of JazzSymbol, which I understand many jazzers want. So that will be  
forthcoming sooner rather than later (probably sometime this fall), based 
on  scans of chord symbol calligraphy we will, most likely, commission. 
JazzHand, or  whatever we'll call it, will feature the same mapping as 
JazzSymbol,  representing a decided improvement over the existing handwritten 
chord 
symbol  fonts.
 
MakeMusic, if you're listening, we'd rather work with you than  
Avid/Sibelius. If you can accommodate our fonts specifically in your  
Unicode-based 
chord symbol engineering, Finale will have a clear  edge in ChordSymbol entry, 
even beating out your newest competitor,  Noteflight, in that regard. We'd 
be delighted to help; just let us know.
 
Thanks much.
 
Best,  jrc

Dr. John R. Clevenger, Manager
The Virtual  Conservatory
50 S. Patterson Ave., #203
Santa Barbara, CA  93111
Phone and fax: (805) 964-7988 (for fax, ignore answering  machine)
Email: _jclev...@aol.com_ (mailto:jclev...@aol.com) 
Web site: _www.virtualconservatory.com_ 
(http://www.virtualconservatory.com/) 
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