I never learned what those classical names for dominant chords out of the key were, but jazz uses them all the time, and we just call them by their most convenient enharmonic names. We know how they work and don't differentiate their names according to the ways they resolve.
At least that has been my experience. Chuck On Oct 1, 2011, at 1:16 PM, Robert Patterson wrote: > Is there any accepted practice for writing aug 6th chords in a jazz chart? > For example, in the key of D Maj, a Ger 6th would be enharmonically Bb7, but > is there a more appropriate notation? And what about Fr and It 6th chords? > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale Chuck Israels 1310 NW Naito Parkway #807 Portland, OR 97209-316 land line: (971) 255-1167 cell phone: (360) 201-3434 <www.chuckisraels.com> <www.chuckisraelsjazz.com> _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
