On Oct 8, 2011, at 9:14 PM, Darcy James Argue wrote: > Hi Chuck, > > Either way will take a bit of additional effort and kludging and > counter-intuitive work to set up. Keyswitches via HP are probably still a bit > easier, though they are maddeningly not 100% reliable.
That was my experience. Sometimes they worked, sometimes not, and I couldn't figure out why. It was inconsistent enough that I gave up on trying to control the behavior > > I haven't tried to do them with instrument changes yet -- I'm not currently > using Finale 2012 because I'm in the midst of a massive project and can't > switch over until it's finished. > Well, whoever gets to this first - I will be glad to see a report (or give one, if I am early in the game). Maybe some beta testers have done this. I does seem to me that, if there is provision for saxophone staves to switch to ww doubles, the same thing ought to work for brass, using the existing separate open and muted samples (or trumpet/flugelhorn samples). Am I missing something? I have not tried any of this, but I have become addicted to checking my music with Finale's playback, and the successive improvements do help. Chuck Chuck Israels 1310 NW Naito Parkway #807 Portland, OR 97209-316 land line: (971) 255-1167 cell phone: (360) 201-3434 <www.chuckisraels.com> <www.chuckisraelsjazz.com> _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
