Yes, because horn players still regularly play the repertoire where that 
terrible convention was used, and might assume that the composer meant it that 
way.

Heck, I get complaints from horn players who play mostly Classical repertoire 
because I write with key signatures! Sheesh, get with it, guys, I say to them. 
I get the parts back with EVERY alteration pencilled in.

Christopher


On Sat Jun 9, at SaturdayJun 9 4:34 PM, Paul Hayden wrote:

> How many years has it been since any composer wrote a horn part in the bass 
> clef intending it to sound up a fourth? I still write a note about how "the 
> horn part sounds down a fifth regardless of clef". But do you think this is 
> _really_ necessary in 2012?
> 
> Paul Hayden
> 
> 
> Magnolia Music Press
> <www.paulhayden.com>
> Voice & Pre-arranged fax:  225-769-9604

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