Within recent years the delay associated with human playback of breath marks 
has been discussed on the list. One lister told that HP interpretes the other 
reading of the hanging comma, namely the caesura. 

I would like a good suggestion for an alternative articulation useable as 
breath mark without alternative interpretations possible by neither human 
musicians nor by HP. 

Working with re-harmonizing of chorales for choir and wind instruments the 
interpunctation of rhythmically offset voices still is pretty clear for the 
vocalists alone from the text. However the instrumentalists have very little 
chance to read alterations of phrase structures from single line instrumental 
parts with no breath marks. I would like breath marks being the same in score 
and parts, so adding them to the parts after non-linked creation of parts is 
not an option of my preference.

Klaus
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