blockquote, div.yahoo_quoted { margin-left: 0 !important; border-left:1px
#715FFA solid !important; padding-left:1ex !important; background-color:white
!important; } Context is everything I suppose. A stress of three instead of
two...or was that four? 2fer makes sense if they are equally stressed, but if
equally stressed is really a 3. If really three 3/2 makes sense to me.
GJB
On Wednesday, December 7, 2016, 4:54 PM, Raymond Horton
<[email protected]> wrote:
three measures of 2/4 is not a bad suggestion at all. It avoids the minor
Panic that can result when seeing a larger time signature. another
possibility, depending on the music, is a 4/4 + 2/4.
Raymond Horton
Composer, Arranger
Minister of Music, Edwardsville (IN) United Methodist Church
Retired Bass Trombonist, Louisville Orchestra, 1971-2016
On Dec 7, 2016 4:32 PM, "Timothy Price" <[email protected]> wrote:
3 measures of 2/4 is what you need.
> On Dec 7, 2016, at 2:39 PM, "[email protected]" <[email protected]>
wrote:
>
> I agree with David and Raymond, 3/2.
>
>
> ***************************
> J D Thomas
> ThomaStudios
>
>
>
>> On Dec 7, 2016, at 11:09 AM, Lee Dengler <[email protected]> wrote:
>>
>> I have a theory question for all you theory buffs out there. I am
writing a
>> piece that is mostly in a slow 4/4 meter (quarter note =60).
Occasionally,
>> I have a measure of 6 beats where the quarter note remains consistent.
In
>> those measures, the stress of lyrics falls on beats 1, 3 and 5. Should I
>> make those measures 3/2 or 6/4. My uncertainty lies in that going to
3/2
>> makes it look like the half note gets the beat, but 6/4 is generally
>> considered to be a compound meter (3+3). Any words of wisdom?
>>
>> Lee Dengler
>>
>> [email protected] <mailto:[email protected]>
>>
>>
>>
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