<[email protected]> wrote: >> I wouldn?t have liked three bars of 2/4 either, in a context of >> 4/4, as that would have been really weird.
timothy.key.price [email protected] We composers have to try to make clear our intentions to conductors ranging from brilliant to partial awareness, with an emphasis upon the latter. Tell, me how, in a 4/4 context, anyone, seeing 3 measures of 2/2, could possibly screw up? tim _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
