i think it *does* require explanation, it is certainly not 
self-evident.  but you can get away with not explaining it in a 
legend because there is a surrounding context within which the 
musician can deduce its sense.  but imagine the symbol in a 
non-metered and solistic situation, e.g., various durational values 
following one another in a chain but no barlines or time sigs -- you 
would have no idea what is meant unless you knew beforehand.

and the fact that you have to count backwards AND forwards makes it a 
bad choice for me:
4+2-1=5 or
(4 x 1-1/2) - (4 x 1/4)

i would definitely boycott this notation.

in ex2 there is interest in having a single symbol for the duration 
because of the l.v. but a stemless quarter head with lv ties would do 
just as well.  and that is indeed something i have seen many times. 
better than stemmed quarter with lv ties followed by a whole rest in 
square brackets, for example.

in your ex1 why is the end of the 1st measure in the upper piano not 
a dotted 8th?

in your ex2 i would rather see the 5/4 value notated as half tied to 
dotted half (in both cases), reflecting what is happening in the 
other piano each time (held note 2/4 then pedalling over 3/4)


>For anyone who is interested in the notation, here are a couple examples.
>
>https://www.dropbox.com/s/e67walobznq1ygl/Crumb-DayOfComet.tiff?dl=0
>https://www.dropbox.com/s/0nz3afpyiyx1y4m/Crumb-ZeitgeistEx2.tiff?dl=0
>
>He also uses it extensively in the "Musica Apocalypitca" movement of 
>Star Child. It really requires no explanation, which is one of the 
>attractive features of it.

-- 

neueweise -- fonts for new music (and traditional) notation
http://newmusicnotation.com/fonts.html

shirling & neueweise | http://newmusicnotation.com
new music notation  +  arts management  +  translation
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