raymond, it is for voice (singular) and the part
needs to be transposed down a major second. yeah
i have cues for the entry and at the end of the
longer multi-measure rests.
cheers,
jef
I don¹t know what a transposed score for voices
would be, unless they are talking about the
Tenor part written an octave higher than
sounding, but I will say that you do not need to
Do a piano reduction for choir, really anytime
in a larger ensemble. Just give them some cues
To help them get their pitch, and you are good
to go!
Raymond Horton
Composer/Arranger
Minister of Music,
Edwardsville (IN) United Methodist Church
Retired Bass Trombonist,
Louisville Orchestra, 1970-2016
On May 5, 2019, at 11:49 AM, SN jef chippewa
<[email protected]> wrote:
yeah they explicitly said they don't need the
score, only a transposed part (i don't know
where the transposed score is or if there in
fact is one), and there is a fixed (small)
budget that is just too small for me to do the
entire score even if i wanted to.
thanks!
In my experience, the singer reads from
score, with the proviso that the vocal line is
immediately above the piano line and that the
other instruments on are reduced-size staves
above the vocal line. (See, for example, the
score of Pierrot Lunaire
<https://imslp.org/wiki/Pierrot_Lunaire,_Op.21_(Schoenberg,_Arnold)>.)
>> The other option would be to provide a
piano/vocal score with a piano reduction of all
the instrumental parts. But that may be more
trouble than you need for this particular
project.
--
neueweise -- fonts for new music (and traditional) notation
http://newmusicnotation.com/fonts.html
shirling & neueweise | http://newmusicnotation.com
new music notation + arts management + translation
[FB] http://facebook.com/neueweise | [TW] http://twitter.com/neueweise
_______________________________________________
Finale mailing list
[email protected]
https://lists.shsu.edu/mailman/listinfo/finale
To unsubscribe from finale send a message to:
[email protected]
