Maybe if their bowtie is too tight it acts like a capo?? Then the transposed 
notes would match the sounds they make….


> On 6 May 2019, at 7:48 AM, SN jef chippewa <[email protected]> 
> wrote:
> 
> 
> raymond, it is for voice (singular) and the part needs to be transposed down 
> a major second.  yeah i have cues for the entry and at the end of the longer 
> multi-measure rests.
> 
> cheers,
> jef
> 
>> I don¹t know what a transposed score for voices would be, unless they are 
>> talking about the Tenor part written an octave higher than sounding, but I 
>> will say that you do not need to Do a piano reduction for choir, really 
>> anytime in a larger ensemble. Just give them some cues To help them get 
>> their pitch, and you are good to go!
>> 
>> Raymond Horton
>> Composer/Arranger
>> Minister of Music,
>> Edwardsville (IN) United Methodist Church
>> Retired Bass Trombonist,
>> Louisville Orchestra, 1970-2016
>> 
>>> On May 5, 2019, at 11:49 AM, SN jef chippewa 
>>> <[email protected]> wrote:
>>> 
>>> 
>>> yeah they explicitly said they don't need the score, only a transposed part 
>>> (i don't know where the transposed score is or if there in fact is one), 
>>> and there is a fixed (small) budget that is just too small for me to do the 
>>> entire score even if i wanted to.
>>> 
>>> thanks!
>>> 
>>> 
>>>> In my experience, the singer reads from score, with the proviso that the 
>>>> vocal line is immediately above the piano line and that the other 
>>>> instruments on are reduced-size staves above the vocal line. (See, for 
>>>> example, the score of Pierrot Lunaire
>>>> <https://imslp.org/wiki/Pierrot_Lunaire,_Op.21_(Schoenberg,_Arnold)>.)
>>>> 
>> >> The other option would be to provide a piano/vocal score with a piano 
>> >> reduction of all the instrumental parts. But that may be more trouble 
>> >> than you need for this particular project.
> 
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