Hi,

nice question.

paolo A. Rismondo

Il 06/05/2019 02:53, Dalvin Boone ha scritto:
Sorry to waste your time, but I have to ask:  why does a singer need a
transposed part?

Dlavin Boone

-----Original Message-----
From: Finale <[email protected]> On Behalf Of SN jef chippewa
Sent: Sunday, May 05, 2019 6:18 PM
To: [email protected]
Subject: Re: [Finale] [OT] voice part only


raymond, it is for voice (singular) and the part needs to be transposed down
a major second.  yeah i have cues for the entry and at the end of the longer
multi-measure rests.

cheers,
jef

I don¹t know what a transposed score for voices would be, unless they
are talking about the Tenor part written an octave higher than
sounding, but I will say that you do not need to Do a piano reduction
for choir, really anytime in a larger ensemble. Just give them some
cues To help them get their pitch, and you are good to go!

Raymond Horton
Composer/Arranger
Minister of Music,
Edwardsville (IN) United Methodist Church Retired Bass Trombonist,
Louisville Orchestra, 1970-2016

  On May 5, 2019, at 11:49 AM, SN jef chippewa
<[email protected]> wrote:


  yeah they explicitly said they don't need the score, only a
transposed part (i don't know where the transposed score is or if
there in fact is one), and there is a fixed (small) budget that is
just too small for me to do the entire score even if i wanted to.

  thanks!


  In my experience, the singer reads from score, with the proviso
that the vocal line is immediately above the piano line and that the
other instruments on are reduced-size staves above the vocal line.
(See, for example, the score of Pierrot Lunaire
<https://imslp.org/wiki/Pierrot_Lunaire,_Op.21_(Schoenberg,_Arnold)>.
)

  >> The other option would be to provide a piano/vocal score with a
piano reduction of all the instrumental parts. But that may be more
trouble than you need for this particular project.

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