Thanks for the suggestion.  But doesn't this method also entail extensive
backwinding with the key, which as Anna pointed out is quite tedious and
can cause problems?  Or am I missing something...



On Fri, Jun 25, 2021 at 7:57 PM Karl Reinsalu <[email protected]> wrote:

> No darkroom needed if you do the rewind in camera as suggested.
> K.
>
> On Fri, Jun 25, 2021 at 1:26 PM jimmyschaus1 <[email protected]>
> wrote:
>
>> Hey thanks for the suggestion!  That would be great but I don't think I
>> have access to a darkroom with rewinds.  Indeed, come to think of it, I
>> have fucked up a roll of film doing it "my way" before.
>>
>> On Fri, Jun 25, 2021 at 7:07 PM Anna Kipervaser <
>> [email protected]> wrote:
>>
>>> Hey Jimmy,
>>>
>>> Reminding that much film is always a bitch and can cause problems. You
>>> could, instead, shoot the whole roll and then rewind it on rewinds in the
>>> dark, reload and shoot the whole roll!
>>>
>>> On Fri, Jun 25, 2021, 1:01 PM <[email protected]>
>>> wrote:
>>>
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>>>>    1. bolex rewind/2x exposure Q (jimmyschaus1)
>>>>
>>>>
>>>>
>>>> ---------- Forwarded message ----------
>>>> From: jimmyschaus1 <[email protected]>
>>>> To: Experimental Film Discussion List <[email protected]>
>>>> Cc:
>>>> Bcc:
>>>> Date: Thu, 24 Jun 2021 20:07:58 +0200
>>>> Subject: [Frameworks] bolex rewind/2x exposure Q
>>>> Hi all,
>>>>
>>>> I'm shooting some 16 with a Bolex this weekend, and plan to do multiple
>>>> exposures over the entire roll.
>>>>
>>>> For those of you with experience doing this, what's a good point on the
>>>> footage counter to do the rewind, to take advantage of using most of the
>>>> roll while still keeping it engaged in the camera and not accidentally
>>>> finishing it?  I was thinking 95?  97?
>>>>
>>>> thanks,
>>>> Jimmy
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