It takes a few minutes to rewind a 100’ roll with the key, but it is not the end of the world. I did this recently for a roll I exposed three times and it turned out nicely. My understanding is that daylight spools actually have 110’ of film in them to compensate for film lost/exposed during a true daylight load, so I shot right up to 99 to still be safe.
On Fri, Jun 25, 2021 at 1:04 PM jimmyschaus1 <[email protected]> wrote: > Thanks for the suggestion. But doesn't this method also entail extensive > backwinding with the key, which as Anna pointed out is quite tedious and > can cause problems? Or am I missing something... > > > > On Fri, Jun 25, 2021 at 7:57 PM Karl Reinsalu <[email protected]> wrote: > >> No darkroom needed if you do the rewind in camera as suggested. >> K. >> >> On Fri, Jun 25, 2021 at 1:26 PM jimmyschaus1 <[email protected]> >> wrote: >> >>> Hey thanks for the suggestion! That would be great but I don't think I >>> have access to a darkroom with rewinds. Indeed, come to think of it, I >>> have fucked up a roll of film doing it "my way" before. >>> >>> On Fri, Jun 25, 2021 at 7:07 PM Anna Kipervaser < >>> [email protected]> wrote: >>> >>>> Hey Jimmy, >>>> >>>> Reminding that much film is always a bitch and can cause problems. You >>>> could, instead, shoot the whole roll and then rewind it on rewinds in the >>>> dark, reload and shoot the whole roll! >>>> >>>> On Fri, Jun 25, 2021, 1:01 PM <[email protected]> >>>> wrote: >>>> >>>>> Send Frameworks mailing list submissions to >>>>> [email protected] >>>>> >>>>> To subscribe or unsubscribe via the World Wide Web, visit >>>>> >>>>> http://film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>>> or, via email, send a message with subject or body 'help' to >>>>> [email protected] >>>>> >>>>> You can reach the person managing the list at >>>>> [email protected] >>>>> >>>>> When replying, please edit your Subject line so it is more specific >>>>> than "Re: Contents of Frameworks digest..." >>>>> Today's Topics: >>>>> >>>>> 1. bolex rewind/2x exposure Q (jimmyschaus1) >>>>> >>>>> >>>>> >>>>> ---------- Forwarded message ---------- >>>>> From: jimmyschaus1 <[email protected]> >>>>> To: Experimental Film Discussion List <[email protected]> >>>>> Cc: >>>>> Bcc: >>>>> Date: Thu, 24 Jun 2021 20:07:58 +0200 >>>>> Subject: [Frameworks] bolex rewind/2x exposure Q >>>>> Hi all, >>>>> >>>>> I'm shooting some 16 with a Bolex this weekend, and plan to do >>>>> multiple exposures over the entire roll. >>>>> >>>>> For those of you with experience doing this, what's a good point on >>>>> the footage counter to do the rewind, to take advantage of using most of >>>>> the roll while still keeping it engaged in the camera and not accidentally >>>>> finishing it? I was thinking 95? 97? >>>>> >>>>> thanks, >>>>> Jimmy >>>>> -- >>>>> Frameworks mailing list >>>>> [email protected] >>>>> >>>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>>> >>>> -- >>>> Frameworks mailing list >>>> [email protected] >>>> >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> >>> -- >>> Frameworks mailing list >>> [email protected] >>> >>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>> >> >> >> -- >> -- >> Karl Reinsalu >> e.mail: [email protected] >> -- >> Frameworks mailing list >> [email protected] >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- (563) 210-3321 Cinematographer, Filmmaker - Chicago, IL Cinematography Reel <https://vimeo.com/282369276/4ccebdbc30> www.andrewskalak.com
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