Rolf Wiest in 'Polly' (1969, 16mm, 10min, col.) took to the extreme consequences this possibility: he projected on 16mm the 4 frames shot on double-8 and re-shot in double-8 and again and again, 7 time, until having 4^7=16384 images in 1 frame, i.e. 393216 fps. It's a scene of a naked girl and a dog, satifying at the beginning a sort of voyeuristic pleasure, becoming more and more de-structurated. The soundtrack works in reverse, becoming at the end competely recognozible: Vivaldi's 4 seasons.
Cheers Livio Il giorno mercoledì 24 novembre 2021, Esperanza Collado < [email protected]> ha scritto: > Hey Frameworkers, > I am trying to remember a contemporary filmmaker who has worked extensively with double-8 format, projecting the results later on a regular 16 or s16mm instead of splitting the filmstrip in two. Maybe it's someone on this list. One of my students is considering shooting and would like to see examples. Please, help me find her/him if you know who I'm talking about, or else, if you know films that can be watched on the internet using this format in this unorthodox way. Thank you! > I have used double-8 once and it's interesting, as you can use double perf 16mm film... > -- > Esperanza Collado > www.esperanzacollado.net > >
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