*4**x8x3* by Chris Kennedy uses an unsplit regular 8 film with great results: https://lightcone.org/en/film-7476-4x8x3
*Peyote Queen* (1965) by Storm de Hirsch uses some shots like this, too. On Thu, Nov 25, 2021 at 10:43 AM pablo marin < [email protected]> wrote: > Hola Esperanza, > > Besides Dorsky's masterpiece, *17 Reasons Why*, I believe Bill Baldewicz > has been making films with unslit 8mm for years. > > Best, > Pablo > > On Thu, Nov 25, 2021 at 4:34 AM Sandy McLennan <[email protected]> > wrote: > >> I currently make and screen work in Double 8 and Regular 8 and have >> given workshops in the format through LIFT (Liaison of Independent >> Filmmakers of Toronto), The8fest and Images Festival (in person and >> online). Send me email and we’ll see how I can help the student. >> >> These here are great titles/ideas/resources. During the early pandemic I >> received a Canada Council for the Arts grant to create an optical printer >> with a Bolex H8 camera and both a Regular 8 and 16mm projector (could not >> have been made without knowledge, help and hardware/software from Matt >> McWilliams). It is working and is a tool to be explored. >> >> Sandy McLennan >> Port Sydney, Ontario, Canada >> >> On Nov 24, 2021, at 7:05 PM, Christopher Ball <[email protected]> wrote: >> >> I would be curious to see that (Polly) >> >> On Wed, Nov 24, 2021 at 6:29 PM Ugo Bo <[email protected]> wrote: >> >>> Rolf Wiest in 'Polly' (1969, 16mm, 10min, col.) took to the extreme >>> consequences this possibility: he projected on 16mm the 4 frames shot on >>> double-8 and re-shot in double-8 and again and again, 7 time, until having >>> 4^7=16384 images in 1 frame, i.e. 393216 fps. It's a scene of a naked girl >>> and a dog, satifying at the beginning a sort of voyeuristic pleasure, >>> becoming more and more de-structurated. The soundtrack works in reverse, >>> becoming at the end competely recognozible: Vivaldi's 4 seasons. >>> >>> Cheers >>> Livio >>> >>> Il giorno mercoledì 24 novembre 2021, Esperanza Collado < >>> [email protected]> ha scritto: >>> > Hey Frameworkers, >>> > I am trying to remember a contemporary filmmaker who has worked >>> extensively with double-8 format, projecting the results later on a regular >>> 16 or s16mm instead of splitting the filmstrip in two. Maybe it's someone >>> on this list. One of my students is considering shooting and would like to >>> see examples. Please, help me find her/him if you know who I'm talking >>> about, or else, if you know films that can be watched on the internet using >>> this format in this unorthodox way. Thank you! >>> > I have used double-8 once and it's interesting, as you can use double >>> perf 16mm film... >>> > -- >>> > Esperanza Collado >>> > www.esperanzacollado.net >>> > >>> > -- >>> Frameworks mailing list >>> [email protected] >>> >>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>> >> -- >> Frameworks mailing list >> [email protected] >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> >> -- >> Frameworks mailing list >> [email protected] >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- http://albertalcoz.com/ <http://www.albertalcoz.com/>
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