Hola Esperanza, Besides Dorsky's masterpiece, *17 Reasons Why*, I believe Bill Baldewicz has been making films with unslit 8mm for years.
Best, Pablo On Thu, Nov 25, 2021 at 4:34 AM Sandy McLennan <[email protected]> wrote: > I currently make and screen work in Double 8 and Regular 8 and have given > workshops in the format through LIFT (Liaison of Independent Filmmakers of > Toronto), The8fest and Images Festival (in person and online). Send me > email and we’ll see how I can help the student. > > These here are great titles/ideas/resources. During the early pandemic I > received a Canada Council for the Arts grant to create an optical printer > with a Bolex H8 camera and both a Regular 8 and 16mm projector (could not > have been made without knowledge, help and hardware/software from Matt > McWilliams). It is working and is a tool to be explored. > > Sandy McLennan > Port Sydney, Ontario, Canada > > On Nov 24, 2021, at 7:05 PM, Christopher Ball <[email protected]> wrote: > > I would be curious to see that (Polly) > > On Wed, Nov 24, 2021 at 6:29 PM Ugo Bo <[email protected]> wrote: > >> Rolf Wiest in 'Polly' (1969, 16mm, 10min, col.) took to the extreme >> consequences this possibility: he projected on 16mm the 4 frames shot on >> double-8 and re-shot in double-8 and again and again, 7 time, until having >> 4^7=16384 images in 1 frame, i.e. 393216 fps. It's a scene of a naked girl >> and a dog, satifying at the beginning a sort of voyeuristic pleasure, >> becoming more and more de-structurated. The soundtrack works in reverse, >> becoming at the end competely recognozible: Vivaldi's 4 seasons. >> >> Cheers >> Livio >> >> Il giorno mercoledì 24 novembre 2021, Esperanza Collado < >> [email protected]> ha scritto: >> > Hey Frameworkers, >> > I am trying to remember a contemporary filmmaker who has worked >> extensively with double-8 format, projecting the results later on a regular >> 16 or s16mm instead of splitting the filmstrip in two. Maybe it's someone >> on this list. One of my students is considering shooting and would like to >> see examples. Please, help me find her/him if you know who I'm talking >> about, or else, if you know films that can be watched on the internet using >> this format in this unorthodox way. Thank you! >> > I have used double-8 once and it's interesting, as you can use double >> perf 16mm film... >> > -- >> > Esperanza Collado >> > www.esperanzacollado.net >> > >> > -- >> Frameworks mailing list >> [email protected] >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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