I would be curious to see that (Polly) On Wed, Nov 24, 2021 at 6:29 PM Ugo Bo <[email protected]> wrote:
> Rolf Wiest in 'Polly' (1969, 16mm, 10min, col.) took to the extreme > consequences this possibility: he projected on 16mm the 4 frames shot on > double-8 and re-shot in double-8 and again and again, 7 time, until having > 4^7=16384 images in 1 frame, i.e. 393216 fps. It's a scene of a naked girl > and a dog, satifying at the beginning a sort of voyeuristic pleasure, > becoming more and more de-structurated. The soundtrack works in reverse, > becoming at the end competely recognozible: Vivaldi's 4 seasons. > > Cheers > Livio > > Il giorno mercoledì 24 novembre 2021, Esperanza Collado < > [email protected]> ha scritto: > > Hey Frameworkers, > > I am trying to remember a contemporary filmmaker who has worked > extensively with double-8 format, projecting the results later on a regular > 16 or s16mm instead of splitting the filmstrip in two. Maybe it's someone > on this list. One of my students is considering shooting and would like to > see examples. Please, help me find her/him if you know who I'm talking > about, or else, if you know films that can be watched on the internet using > this format in this unorthodox way. Thank you! > > I have used double-8 once and it's interesting, as you can use double > perf 16mm film... > > -- > > Esperanza Collado > > www.esperanzacollado.net > > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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