If anything is sharply colored, it will reproduce with a different tone in each of the three films, so that may be a problem for you.
If it were me, I would just shoot three B&W reversal films and then have the lab print them all together with three different timing lights for different colors. If you're doing to try it on color film, try a standard color sep filter pack: #25 red, #58 green, #47 blue. All of them will give the same exposure on a grey card with daylight lighting, but obviously different exposures on colored objects. So much less tinkering and need to shoot tests. --scott -- Frameworks mailing list [email protected] https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
