In 1980 Bernd Upnmoor shot DOM in Hamburg, Germany. Three rolls of b/w film exposed with colour filters as Scott suggested. A merry-go-round illuminated at nighttime. In the begining and end of the film the three different shots meet, in the middle part the colours run out of sync. Beautiful! Best, Thomas. Thomas Bartels www.thomasbartels.eu http://www.thomasbartels.eu
> Albert Alcoz <[email protected]> hat am 15.03.2023 23:08 CET geschrieben: > > > Hello John, > > Some other films that could be interesting for the color separation > experiment are Colour Separation by Chris Welsby > https://lightcone.org/en/film-1532-colour-separation and, as Eric Theise > suggested, Tomonari Nishikawa's 45 7 Broadway https://vimeo.com/117525190. > > In 2015 I did an Ektachrome reversal super 8 film playing with different > colour filters. It was a freestyle procedure though and here are some frames > of the outcome: Color Spectrum > http://www.albertalcoz.com/2015/05/espectro-cromatico.html. > > Best, > Albert > > On Wed, Mar 15, 2023 at 8:24 PM Jeff Kreines <[email protected] > mailto:[email protected]> wrote: > > > If you’re shooting under artificial light consider using cycled R G B LED > > lights instead of filters. Less light loss and less heat to melt the ice. > > > > Jeff Kreines > > Kinetta > > [email protected] mailto:[email protected]://kinetta.com > > > > Sent from iPhone. > > > > > > > On Mar 15, 2023, at 1:11 PM, Eric Theise <[email protected] > > > mailto:[email protected]> wrote: > > > > > > > > > > > Hi John, > > > > > > Since Andre mentioned the Cantrills, I will say that their Waterfall is > > > perhaps my favorite color separation film. But more recently, there was > > > Ben River's sloth film, Now, At Last! https://vimeo.com/320467431, and I > > > believe Tomonari Nishikawa has made more than one. I doubt he's on > > > Frameworks but I've always found him to be a friendly problem solver so > > > you might want to reach out to him: > > > > > > https://www.tomonarinishikawa.com/contact.html > > > > > > Eric > > > > > > > > > On Wed, Mar 15, 2023 at 11:59 AM <[email protected] > > > mailto:[email protected]> wrote: > > > > > > > The films of The Cantrills in a desert of Australia.Time,colour, > > > > separations. > > > > > > > > > > > > ----- Mail d’origine ----- > > > > De: John Davis <[email protected] mailto:[email protected]> > > > > À: Experimental Film Discussion List <[email protected] > > > > mailto:[email protected]> > > > > Cc: Renée Delores <[email protected] > > > > mailto:[email protected]> > > > > Envoyé: Wed, 15 Mar 2023 18:05:44 +0100 (CET) > > > > Objet: [Frameworks] Color separation experiment > > > > > > > > Hello Frameworkers, > > > > > > > > I am collaborating with, and writing on behalf of a friend who wants to > > > > make a film using Ektachrome that will attempt to create a motion/color > > > > separation effect. Here are her words: > > > > > > > > "I am seeking advice for shooting a three color separation in 16mm with > > > > Ektachrome color reversal film. > > > > > > > > > > > > The film will document three fixed-position nearly identical ice blocks > > > > with embedded plant materials. I plan to shoot on the same film reels > > > > doing > > > > three consecutive passes, each pass documenting the three ice blocks as > > > > they disintegrate. Using an Intervalometer for time-lapse, I am > > > > thinking I > > > > would need to use three different filters/gels to isolate the colors for > > > > each pass as the ice melts and the trapped matter/water fall out of > > > > alignment. Any advice/experience with a process like this would be much > > > > appreciated. > > > > > > > > > > > > Some questions are: > > > > > > > > > > > > 1. What RGB gels/filters would be recommended to filter out > > > > corresponding > > > > colors and produce the positive RGB color separation effect? > > > > > > > > 2. As Ektachrome is a reversal film, would I use the complementary > > > > filters > > > > for red (cyan), green (magenta) and blue (yellow)? Or should I be doing > > > > the > > > > opposite? > > > > > > > > > > > > With the understanding there will need to be light tests, etc, any > > > > additional advice on aperture compensation relative to a triple exposure > > > > (with gels) would be much appreciated." > > > > > > > > > > > > Sincerely, > > > > > > > > > > > > John Davis > > > > > > > > > > > > -- > > > > Frameworks mailing list > > > > [email protected] mailto:[email protected] > > > > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > > > > > -- > > > Frameworks mailing list > > > [email protected] mailto:[email protected] > > > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > > > -- > > Frameworks mailing list > > [email protected] mailto:[email protected] > > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > > > -- > http://albertalcoz.com/ http://www.albertalcoz.com/ > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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