Hi, Cécile Fontaine films´s *CHARLOTTE* and *JAPON SERIES, *
also some Viktoria Schmid´d films like NYC RGB or the nice installation THE CLOUDS ARE NOT LIKE EITHER ONE- THEY DO NOT KEEP ONE FORM FOREVER or *EL OCEANO ANALOGO <https://luismacias.es/ocean-analog/>* all my best Luis ------------- Luis Macías http://luismacias.es/ El jue, 16 mar 2023 a las 8:33, Thomas Bartels (<[email protected]>) escribió: > In 1980 Bernd Upnmoor shot DOM in Hamburg, Germany. Three rolls of b/w > film exposed with colour filters as Scott suggested. A merry-go-round > illuminated at nighttime. In the begining and end of the film the three > different shots meet, in the middle part the colours run out of sync. > Beautiful! > Best, > Thomas. > Thomas Bartels > www.thomasbartels.eu > > Albert Alcoz <[email protected]> hat am 15.03.2023 23:08 CET > geschrieben: > > > Hello John, > > Some other films that could be interesting for the color separation > experiment are *Colour Separation* by Chris Welsby > <https://lightcone.org/en/film-1532-colour-separation> and, as Eric > Theise suggested, Tomonari Nishikawa's *45 7 Broadway* > <https://vimeo.com/117525190>. > > In 2015 I did an Ektachrome reversal super 8 film playing with different > colour filters. It was a freestyle procedure though and here are some > frames of the outcome: *Color Spectrum > <http://www.albertalcoz.com/2015/05/espectro-cromatico.html>*. > > Best, > Albert > > On Wed, Mar 15, 2023 at 8:24 PM Jeff Kreines <[email protected]> wrote: > > If you’re shooting under artificial light consider using cycled R G B LED > lights instead of filters. Less light loss and less heat to melt the ice. > > Jeff Kreines > Kinetta > [email protected] > kinetta.com > > Sent from iPhone. > > On Mar 15, 2023, at 1:11 PM, Eric Theise <[email protected]> wrote: > > Hi John, > > Since Andre mentioned the Cantrills, I will say that their Waterfall is > perhaps my favorite color separation film. But more recently, there was Ben > River's sloth film, Now, At Last! <https://vimeo.com/320467431>, and I > believe Tomonari Nishikawa has made more than one. I doubt he's on > Frameworks but I've always found him to be a friendly problem solver so you > might want to reach out to him: > > https://www.tomonarinishikawa.com/contact.html > > Eric > > > On Wed, Mar 15, 2023 at 11:59 AM <[email protected]> wrote: > > The films of The Cantrills in a desert of Australia.Time,colour, > separations. > > > ----- Mail d’origine ----- > De: John Davis <[email protected]> > À: Experimental Film Discussion List <[email protected]> > Cc: Renée Delores <[email protected]> > Envoyé: Wed, 15 Mar 2023 18:05:44 +0100 (CET) > Objet: [Frameworks] Color separation experiment > > Hello Frameworkers, > > I am collaborating with, and writing on behalf of a friend who wants to > make a film using Ektachrome that will attempt to create a motion/color > separation effect. Here are her words: > > "I am seeking advice for shooting a three color separation in 16mm with > Ektachrome color reversal film. > > > The film will document three fixed-position nearly identical ice blocks > with embedded plant materials. I plan to shoot on the same film reels > doing > three consecutive passes, each pass documenting the three ice blocks as > they disintegrate. Using an Intervalometer for time-lapse, I am thinking I > would need to use three different filters/gels to isolate the colors for > each pass as the ice melts and the trapped matter/water fall out of > alignment. Any advice/experience with a process like this would be much > appreciated. > > > Some questions are: > > > 1. What RGB gels/filters would be recommended to filter out corresponding > colors and produce the positive RGB color separation effect? > > 2. As Ektachrome is a reversal film, would I use the complementary filters > for red (cyan), green (magenta) and blue (yellow)? Or should I be doing > the > opposite? > > > With the understanding there will need to be light tests, etc, any > additional advice on aperture compensation relative to a triple exposure > (with gels) would be much appreciated." > > > Sincerely, > > > John Davis > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > > -- > http://albertalcoz.com/ <http://www.albertalcoz.com/> > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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