Hi John, Since Andre mentioned the Cantrills, I will say that their Waterfall is perhaps my favorite color separation film. But more recently, there was Ben River's sloth film, Now, At Last! <https://vimeo.com/320467431>, and I believe Tomonari Nishikawa has made more than one. I doubt he's on Frameworks but I've always found him to be a friendly problem solver so you might want to reach out to him:
https://www.tomonarinishikawa.com/contact.html Eric On Wed, Mar 15, 2023 at 11:59 AM <[email protected]> wrote: > The films of The Cantrills in a desert of Australia.Time,colour, > separations. > > > ----- Mail d’origine ----- > De: John Davis <[email protected]> > À: Experimental Film Discussion List <[email protected]> > Cc: Renée Delores <[email protected]> > Envoyé: Wed, 15 Mar 2023 18:05:44 +0100 (CET) > Objet: [Frameworks] Color separation experiment > > Hello Frameworkers, > > I am collaborating with, and writing on behalf of a friend who wants to > make a film using Ektachrome that will attempt to create a motion/color > separation effect. Here are her words: > > "I am seeking advice for shooting a three color separation in 16mm with > Ektachrome color reversal film. > > > The film will document three fixed-position nearly identical ice blocks > with embedded plant materials. I plan to shoot on the same film reels doing > three consecutive passes, each pass documenting the three ice blocks as > they disintegrate. Using an Intervalometer for time-lapse, I am thinking I > would need to use three different filters/gels to isolate the colors for > each pass as the ice melts and the trapped matter/water fall out of > alignment. Any advice/experience with a process like this would be much > appreciated. > > > Some questions are: > > > 1. What RGB gels/filters would be recommended to filter out corresponding > colors and produce the positive RGB color separation effect? > > 2. As Ektachrome is a reversal film, would I use the complementary filters > for red (cyan), green (magenta) and blue (yellow)? Or should I be doing the > opposite? > > > With the understanding there will need to be light tests, etc, any > additional advice on aperture compensation relative to a triple exposure > (with gels) would be much appreciated." > > > Sincerely, > > > John Davis > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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