If blank leader counts as leader, my own RATE OF CHANGE (1972) is
nothing but white leader printed on color stock and printed at the lab
according to my timing (grading) instructions.
Also, Alan Berliner uses leader in some of his films.
On Sun, Sep 9, 2012 at 1:33 PM, Matt Soar <matts...@gmail.com> wrote:
> Hi folks,
> A few months back I posted a request for references to makers working
> with, and writers writing about, film leaders. I got a few replies,
> and have also followed up on some of my own leads. Anyway, here's what
> I've got so far; paltry I know, but there ya go. (Thanks to Ken for
> the reminder.)
> - Technical writing
> 'Your Film and The Lab'
> L.Bernard Happe. Focal Press 'Media Manual' series
> - Films
> 'At the Academy' (1974) Guy Sherwin
> 'Rohfilm' (1968) Birgit and Wilhelm Hein
> 'Material Film' (1976, 35min) Birgit and Wilhelm Hein
> 'Lost Leaders #1' (2012, 50secs) Matt Soar and Jackie Gallant
> 'Unstable Grounds' (2011, 7' 30") Alexandra Navratil
> - On china girls
> Roth, Lorna (2009) 'Looking at Shirley, the Ultimate Norm: Colour
> Balance, Image Technologies, and Cognitive Equity' Canadian Journal of
> Communication 34(1).
> Girls on Film (Harvard U, 2005) curated by Karin Segal and Julie Buck
> Doane, Mary Ann (2011). 'Screening the Avant-Garde Face'. In Judith
> Butler and Elizabeth Weed (Eds.) Questions of Gender. Indiana U Press.
> Matt Soar
> FrameWorks mailing list
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