Easy Rider, the New Orleans cemetery sequence any number of late 60s-early 70s grindhouse films with drug taking followed by subjective camera sequences
More (1969, d. Barbet Schroeder) Any number of 60s-70s rock concert films with sequences of highly subjective camera to "capture the moment" --in the same vein, there's a lot of video art of the same era that involves playing with the switcher (Nam June Paik, etc.) and using electronic music. Also: live light shows in clubs and concerts of the era. One of the better examples would be Jud Yalkut's SF Trips Festival (or some name like that: basically a very subjective documentation of a rock concert with a light show. Chuck Kleinhans
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