Easy Rider, the New Orleans cemetery sequence

any number of late 60s-early 70s grindhouse films with drug taking followed by 
subjective camera sequences

More (1969, d. Barbet Schroeder)

Any number of 60s-70s rock concert films with sequences of highly subjective 
camera to "capture the moment" --in the same vein, there's a lot of video art 
of the same era that involves playing with the switcher (Nam June Paik, etc.) 
and using electronic music.  Also: live light shows in clubs and concerts of 
the era.

One of the better examples would be Jud Yalkut's SF Trips Festival (or some 
name like that: basically a very subjective documentation of a rock concert 
with a light show.


Chuck Kleinhans




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