"Peyote Queen." Excellent suggestion. Now, again, this more druggy than trippy, but I'll defer to you so I'll throw it out anyways. Shirley Clarke's "The Connection."
Elizabeth >________________________________ > From: Andy Ditzler <[email protected]> >To: Experimental Film Discussion List <[email protected]> >Sent: Sunday, February 10, 2013 11:38 PM >Subject: Re: [Frameworks] drugged > > >Hi Eric, > > >Try: > > >John Hawkins, LSD Wall (1965) clay animation of a trip (with a dedication to >his dealer!) >Storm De Hirsch, Peyote Queen (1965) >Eric Emerson's monologue sequence in reel 9 of Warhol's The Chelsea Girls is a >tour de force, and reportedly was performed under the influence of LSD (though >I don't know that he ever confirmed this). It certainly seems that way. >Ben van Meter's beautiful film "S.F. Trips Festival." >Robert Cowan's Rockflow (1967) isn't representational of a trip, but does have >trippy movement and imagery - it's a delight. >There are clips floating around of a film called "Syd Barrett's First Trip." > > >Andy Ditzler > > >On Sat, Feb 9, 2013 at 2:40 PM, Eric Theise <[email protected]> wrote: > >Hello Frameworkers, >> >>I'm hoping to get suggestions for studying the tropes of the trip, >>that is to say, the way hallucinatory and other drug experiences have >>been portrayed on-screen. Flashy, over-the-top visual signifiers are >>what I seek, but Frameworks excels at identifying examples that aren't >>what the original poster had in mind, so please go to it! >> >>Examples will be put to experimental purposes, but can come from any >>genre, thanks in advance. >> >>Hope all of you affected by the Nemo storm are okay and able to find >>beauty in it. >> >>--Eric >>_______________________________________________ >>FrameWorks mailing list >>[email protected] >>https://mailman-mail5.webfaction.com/listinfo/frameworks >> > >_______________________________________________ >FrameWorks mailing list >[email protected] >https://mailman-mail5.webfaction.com/listinfo/frameworks > > >
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