Hello Jesse,

Perhaps Lisl Ponger's work would be of interest for New Landscapes,
particularly Passagen.

Regarding computer worlds maybe
http://www.youtube.com/watch?v=b_UqzLBFz4YQuest: A Long Ray's Journey
into Light? And more generally the imagery
employed by people like Fatima Al Qadiri and James Ferraro.

Am new to frameworks, so if I've made a mess of replying, I apologise and
please let me know.

Best,

Alastair.


 On Wed, Jun 19, 2013 at 1:01 PM, <frameworks-requ...@jonasmekasfilms.com>wrote:

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> ---------- Forwarded message ----------
> From: Mike Morris <m_alex_mor...@yahoo.com>
> To: index gallery <index.gall...@gmail.com>, eiamericas <
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> ddreyer <ddre...@smu.edu>, festivalmiden <festivalmi...@gmail.com>
> Cc:
> Date: Tue, 18 Jun 2013 13:49:38 -0700 (PDT)
> Subject: [Frameworks] FW: Mike Morris
>  http://floridaelectionlawyer.com/suzabew/adolj/swur/nriabt/ubb/xgic.html
>
>  Mike Morris
> pjh
> /div>
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>
> ---------- Forwarded message ----------
> From: Jesse Malmed <jesse.mal...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc:
> Date: Tue, 18 Jun 2013 18:53:16 -0500
> Subject: [Frameworks] Submissions/Suggestions for New Programs
>  Hello Frameworkers,
>
> I'm working on a few new programs of experimental shorts and am hoping you
> might have some submissions/suggestions of work you've made or to which
> you've made a connection.
>      *"New" "Landscapes"* — new looks at old landscapes, old looks at new
> landscapes, Peter Hutton gifs, super-8 computer worlds, what we might mean
> by virtual landscapes or space scapes in 20(0)13. This one is mostly
> finished, but until it is, I'm happy to see new things.
>      *Skeuomorphs* (as yet untitled) — related to other curatorial
> endeavors, but with a particular interest in how skeuomorphism functions
> within a progressive/regressive, experimental moving image culture,
> thinking of iMovie "scratched film look," the "clicking" of a cell phone's
> "shutter," what's aesthetic about processes and how those forms help a
> transfer to other processes.
>      The third, and now that they're all lined up there are obvious
> connections, shared interests and apprehensions, is the least fully formed.
> I'm working through something that has to do with *time (and space) travel
> *, with an emphasis on imaginative portals between different realms. That
> is to say, expansively: a telephone as a mode of instantaneous travel
> through space, a recording/photograph/letter as a mode of time travel back
> to the moment of its making, a time capsule as an optimistic grasp at the
> same. Thinking and rethinking of cinema in these terms makes sense here.
>      *Accents, dialects, idioms* and a generalized feeling that the place
> from which people emerge informs who they are, who they'll become, how
> they'll speak. This is related more fully to my own work than the others,
> but will find its way into the world in a similar way. Impersonations,
> shibboleths, pidgins and glocalities welcome.
>
> Thank you,
> Jesse
>
> --
> // // // J E S S E  M A L M E D
> 505.690.7899 // jesse.mal...@gmail.com
> www.jessemalmed.net // www.deepleap.net
> projective verse <http://urbanhonking.com/projectiveverse/> // bad at
> sports <http://badatsports.com/tags/jesse-malmed/>
>
>
> ---------- Forwarded message ----------
> From: Jarrett Hayman <jfhay...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc:
> Date: Tue, 18 Jun 2013 21:36:49 -0500
> Subject: Re: [Frameworks] Submissions/Suggestions for New Programs
> Hello Mr. Malmed,
>
> Perhaps this might be of interest for the "New Landscapes" theme:
>
> https://vimeo.com/41288355
>
> -JH
>
>
> On Tue, Jun 18, 2013 at 6:53 PM, Jesse Malmed <jesse.mal...@gmail.com>wrote:
>
>> Hello Frameworkers,
>>
>> I'm working on a few new programs of experimental shorts and am hoping
>> you might have some submissions/suggestions of work you've made or to which
>> you've made a connection.
>>      *"New" "Landscapes"* — new looks at old landscapes, old looks at
>> new landscapes, Peter Hutton gifs, super-8 computer worlds, what we might
>> mean by virtual landscapes or space scapes in 20(0)13. This one is mostly
>> finished, but until it is, I'm happy to see new things.
>>      *Skeuomorphs* (as yet untitled) — related to other curatorial
>> endeavors, but with a particular interest in how skeuomorphism functions
>> within a progressive/regressive, experimental moving image culture,
>> thinking of iMovie "scratched film look," the "clicking" of a cell phone's
>> "shutter," what's aesthetic about processes and how those forms help a
>> transfer to other processes.
>>      The third, and now that they're all lined up there are obvious
>> connections, shared interests and apprehensions, is the least fully formed.
>> I'm working through something that has to do with *time (and space)
>> travel*, with an emphasis on imaginative portals between different
>> realms. That is to say, expansively: a telephone as a mode of instantaneous
>> travel through space, a recording/photograph/letter as a mode of time
>> travel back to the moment of its making, a time capsule as an optimistic
>> grasp at the same. Thinking and rethinking of cinema in these terms makes
>> sense here.
>>      *Accents, dialects, idioms* and a generalized feeling that the
>> place from which people emerge informs who they are, who they'll become,
>> how they'll speak. This is related more fully to my own work than the
>> others, but will find its way into the world in a similar way.
>> Impersonations, shibboleths, pidgins and glocalities welcome.
>>
>> Thank you,
>> Jesse
>>
>> --
>> // // // J E S S E  M A L M E D
>> 505.690.7899 // jesse.mal...@gmail.com
>> www.jessemalmed.net // www.deepleap.net
>> projective verse <http://urbanhonking.com/projectiveverse/> // bad at
>> sports <http://badatsports.com/tags/jesse-malmed/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
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